The Lovers’ Chronicle 29 July – know – art by Ivan Aivazovsky

Dear Zazie,  Here is today’s Lover’s Chronicle from Mac Tag.  What do you not know?  What do you know?  Rhett

The Lover’s Chronicle

Dear Muse,

i know, what beauty in art,

in music, in poetry provided

here, all mirrors of her

 

there is much i do not know,

but i know i saw her today

and that is all i need

© copyright 2021 mac tag/cowboy coleridge all rights reserved

what i know
wind, waltzin’, workin’
wide open skies
poetry and opera
and what i used to know
well, best leave it at
i miss it all very much
what was done
cannot be
unwound
or forgotten
choices were made
and those choices
must be lived with
at least i figured out
how to go on

© copyright 2020 mac tag/cowboy coleridge all rights reserved

the pull is strong
shan’t say deserved
(never presume
that kinda power)
but earned
for certain
is it possible,
whether dealt
or self-inflicted,
one becomes
so accustomed
that one seeks
one purpose
or refuses
to get outta
the way
just hope it keeps comin’
gotta feel somethin’

© copyright 2019 mac tag/cowboy coleridge all rights reserved

all i know of truth
is what i found in you

just part of the reason
why i am never alone

© copyright 2018 mac tag/cowboy coleridge all rights reserved

Que de beautés dans l’art, à condition de pouvoir retenir ce que l’on a vu. On n’est alors jamais désoeuvré ni vraiment solitaire, jamais seul.
– Vincent Van Gogh

This one just sort of appeared.  I believe it came from a few lines from a half remembered poem.  What do I know?  Not enough?  Too much?  Certainly, more than I did.  I wish I knew then what I know now.   What I did not know then, if you have been following TLC, you know.   How to be without you……

What I Do Not Know

With certainty,
What I do know

Horses, cattle
Ropes, boots, spurs, wind
Waltzin’, workin’
Wide open skies
French poetry
And opera

And here is what
I used to know

The softest touch
Sweetest caress
Lingerin’ kiss
Fervent friction
Climax in sync
Mutual sigh

All of that missed
So very much

But what was done
Cannot be unwound
Or forgotten
Choices were made
And those choices
Must be lived with

So here is what
I do not know

How in the hell
Do I do that
To live without
What I lived for
How, tell me how
Do I go on

© copyright 2013 Cowboy Coleridge mac tag All rights reserved

 

Ivan Aivazovsky
Aivazovsky - Self-portrait 1874.jpg

Self-portrait, 1874, oil on canvas, 74 × 58 cm, Uffizi, Florence

Today is the birthday of Ivan Konstantinovich Aivazovsky (Feodosia, Taurida; 29 July 1817 – 2 May 1900 Feodosia); Romantic painter.  In my opinion, he is one of the greatest marine artists.  Baptized as Hovhannes Aivazian, Aivazovsky was born into an Armenian family in the Black Sea port of Feodosia and was mostly based in his native Crimea.  Following his education at the Imperial Academy of Arts, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s.  He then returned to Russia and was appointed the main painter of the Russian Navy.  The saying “worthy of Aivazovsky’s brush”, popularized by Anton Chekhov, was used in Russia for “describing something ineffably lovely.”  During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time.  The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture.

In 1848, Aivazovsky married Julia Graves, an English governess.  They separated in 1860 and divorced in 1877 with permission from the Armenian Church, since Graves was a Lutheran.

Aivazovsky’s second wife, Anna Burnazian, was a young Armenian widow 40 years his junior.  Aivazovsky said that by marrying her in 1882, he “became closer to [his] nation”, referring to the Armenian people.

Gallery

 A self-portrait drawing, 1830s–1840s

 A self-portrait, 1830s–1840s

 

in Italian costume, by Vasily Sternberg, 1842

 

Alexey Tyranov's Portrait of Aivazovsky from 1841

 Portrait by Alexey Tyranov, 1841

 

photograph of Aivazovsky with his first wife, Julia, and their four daughters

with his first wife, Julia, and their four daughters

painting of whitecaps on the sea

1898 painting titled Among the waves.

 

A photograph of Aivazovsky, facing left with whiskers from 1870

A photograph, 1870

 

Portrait by Dmitry Bolotov (1876)
his second wife Anna Burnazian (1882)
 

Aivazovsky painting The Ninth Wave from 1850

 The Ninth Wave (1850) is considered Aivazovsky’s most famous work.

 

Aivazovsky painting Stormy Sea in Night from 1849

 Stormy Sea in Night (1849)

 

Armenian themes

Aivazovsky painting The Baptism of the Armenian People from 1892

 The Baptism of the Armenian People (1892)

 

Wave (1889), one of the paintings exhibited

 

The Song of the Day is I Don’t Know by The Sheepdogs.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

Mac Tag

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