The Lovers’ Chronicle 9 June – trails – art by Michael Ancher – lyrics by Cole Porter

Dear Zazie Lee,  Here is the latest Lovers’ Chronicle from Mac Tag.  Rhett

The Lovers’ Chronicle

Dear Muse,

of the mess
that was made
and what it took
to finally git here,

the lost years
the sacrifices
includin’, almost,
the ultimate one,
all necessary

to quiet the roar
encroachin’ each day
to make peace
with the trail
of heartache
left behind,
to end the search

here with you

© copyright 2021 mac tag/cowboy coleridge all rights reserved

not arrogance
finally figured out
how to solve this
follow me
and i will show you
a hungry yearnin’
burnin’ inside
under starry skies above
ridin’ through open country
let us be, in the evenin’ breeze
and listen to the murmur
sends us off every time
i ask you please

© copyright 2020 mac tag/cowboy coleridge all rights reserved

wave tossed guy
sun bleached hair
wavin’ in the wind
walkin’ in the surf
bottle of mezcal
in one hand
tryin’ to make
a little sense
of the mess
that was made
and what it took
to finally git here

the lost years
the sacrifices
includin’, almost,
the ultimate one

to quiet the roar
encroachin’ each day
to make peace
with the trail
of heartache
left behind

so the search
continues
and this verse
for that is all
that will be left
this trail of poems

© copyright 2018 mac tag/cowboy coleridge

Picture this my dear:
An ocean of words
washin’ up
on a beach
Wave tossed guy,
sun bleached hair
wavin’ in the wind,
walkin’ in the surf
by himself
Bottle of Tequila
in one hand
and with the other,
gatherin’ up words
Carefully
choosin’ each
one, lookin’
for the gems
the ones with the right
feel, the right rhythm
to explain,
to make sense
of this mess
that he has made
To quiet the roar
encroachin’ each day
To make peace
with the trail
of heartache
left behind
So he keeps searchin’
and writin’ these words
For that is how
he will be known
by the trail
of his poems

© copyright 2016 mac tag all rights reserved

 

Today is the birthday of Michael Ancher (Michael Peter Ancher; Rutsker, 9 June 1849 – 19 September 1927); realist artist. He is remembered above all for his paintings of fishermen and other scenes from the Danish fishing community in Skagen.

In 1880 Ancher married fellow painter and Skagen native Anna Brøndum, whose father owned the Brøndums Hotel. In the first years of their marriage, the couple had a home and studio in the “Garden House”, which is now in the garden of the Skagens Museum.

Gallery

self-portrait (1902)

self-portrait (1902)

20220609_190959

Vil han klare pynten (Will he Round the Point?, 1879)

 Redningsbåden køres gennem klitterne (The Lifeboat is Taken through the Dunes)

 A stroll on the beach

220px-ColeporterToday is the birthday of Cole Porter (Cole Albert Porter; Peru, Indiana; June 9, 1891 – October 15, 1964 Santa Monica, California); composer and songwriter.  He defied the wishes of his grandfather and took up music as a profession.  Classically trained, he was drawn towards musical theatre.  He began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage.  Unlike many successful Broadway composers, Porter wrote the lyrics, as well as the music, for his songs.  After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work.  In 1948 he had his most successful musical, Kiss Me, Kate.  It won the first Tony Award for Best Musical.  Porter’s other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Anything Goes, Can-Can and Silk Stockings.  His numerous hit songs include “Night and Day”, “Begin the Beguine”, “I Get a Kick Out of You”, “Well, Did You Evah!”, “I’ve Got You Under My Skin”, “My Heart Belongs to Daddy” and “You’re the Top”.  He also composed scores for films, including Born to Dance (1936), which featured the song “You’d Be So Easy to Love”; Rosalie (1937), which featured “In the Still of the Night”; High Society (1956), which included “True Love”; and Les Girls (1957).

Porter maintained a luxury apartment in Paris, where he entertained lavishly. His parties were extravagant and scandalous, with “much gay and bisexual activity, Italian nobility, cross-dressing, international musicians and a large surplus of recreational drugs”. In 1918, he met Linda Lee Thomas, a rich, Louisville, Kentucky-born divorcée eight years his senior. She was beautiful and well-connected socially; the couple shared mutual interests, including a love of travel, and she became Porter’s confidante and companion. The couple married the following year. She was in no doubt about Porter’s homosexuality, but it was mutually advantageous for them to marry. For Linda, it offered continued social status and a partner who was the antithesis of her abusive first husband. For Porter, it brought a respectable heterosexual front in an era when homosexuality was not publicly acknowledged. They were, moreover, genuinely devoted to each other and remained married from December 19, 1919, until her death in 1954.

Select Song Lyrics

  • What is this thing called love?
    This funny thing called love?

    Just who can solve this mystery?
    Why should it make a fool of me?

    • “What Is This Thing Called Love?” from Wake Up and Dream (1929)
  • If you want to buy my wares
    Follow me and climb the stairs …
    Love for sale.

    • “Love For Sale” in The New Yorkers (1930)
  • There’s an, oh such a hungry yearning burning inside of me.
    • “Night and Day” in Gay Divorce (1932)
  • Oh, give me land, lots of land under starry skies above.
    Don’t fence me in.
    Let me ride through the wide open country that I love
    Don’t fence me in
  • Let me be by myself in the evenin’ breeze
    And listen to the murmur of the cottonwood trees
    Send me off forever but I ask you please
    Don’t fence me in

    • “Don’t Fence Me In” (1934) written for a never-released film Adios, Argentina, later used in the film Hollywood Canteen (1944).
  • I want to ride to the ridge where the west commences
    And gaze at the moon till I lose my senses
    I can’t look at hobbles and I can’t stand fences
    Don’t fence me in

    • “Don’t Fence Me In” (1934)
  • What moments divine, what rapture serene.
    • “Begin the Beguine” in Jubilee (1935)

Paris (1928)

  • Some Argentines, without means, do it,
    People say, in Boston, even beans do it.
    Let’s do it, let’s fall in love.

    • “Let’s Do It, Let’s Fall in Love” (there have been many variant renditions of this song by various artists).
  • The chimpanzees in the zoos do it,
    Some courageous kangaroos do it
    Let’s do it, let’s fall in love.
  • I’m sure giraffes on the sly do it,
    Even eagles as they fly do it,
    Let’s do it, let’s fall in love.

    • “Let’s Do It, Let’s Fall in Love”; an earlier variant, rather than “Even eagles…”: “Heavy hippopotami do it…”
  • In shallow shoals, English soles do it
    Goldfish in the privacy of bowls do it.

    • “Let’s Do It, Let’s Fall in Love”
  • Electric eels I might add do it,
    Though it shocks ’em I know…

    • “Let’s Do It, Let’s Fall in Love”
  • The world admits bears in pits do it,
    Even Pekingeses at the Ritz do it,
    Let’s do it, let’s fall in love.

    • “Let’s Do It, Let’s Fall in Love”
  • If you want a future, darling,
    Why don’t you get a past?

    • “Let’s Misbehave”
  • They say that spring
    Means just one thing
    To little lovebirds.
    We’re not above birds,
    Lets misbehave.

    • “Lets Misbehave”
  • They say that bears
    Have love affairs
    And even camels,
    We’re merely mammals
    Let’s misbehave.

    • “Let’s Misbehave”

Anything Goes (1934)

  • I get no kick from champagne.
    Mere alcohol doesn’t thrill me at all,
    So tell me why it should be true
    That I get a kick out of you?

    • “I Get a Kick Out of You”
  • Some get a kick from cocaine.
    I’m sure that if
    I took even one sniff
    That would bore me terrifically, too,
    Yet, I get a kick out of you.

    • “I Get a Kick Out of You”
  • You’re the smile
    On the Mona Lisa.

    • “You’re the Top”
  • In olden days a glimpse of stocking
    Was looked on as something shocking
    But now, Heaven knows,
    Anything goes.

    • “Anything Goes”; there are also variants on this line which read “But now, God knows,
      Anything goes”, but the most common renditions are done with “Heaven knows”
  • Good authors, too, who once knew better words
    Now only use four-letter words
    Writing prose —
    Anything goes.

    • “Anything Goes”

Let’s Face It (1941)

Always have an ace in the hole.
  • Too bad, I’m no poet,
    I happen to know it, But anyway
    Here’s a roundelay
    I wrote last night about you…

    • “Ev’rything I Love” (1941)
  • You are my fav’rite star,
    My haven in heaven above,
    You are ev’rything I love.

    • “Ev’rything I Love” (1941)
  • Sad times
    May follow your tracks
    ,
    Bad times
    May bar you from Saks,
    Add times
    When Satan in slacks
    Breaks down your self control…

    • “Ace in the Hole”
  • This rule I propose,
    Always have an ace in the hole.
  • Always try to arrive at
    Having an ace some place private.
  • Always have an ace in the hole.
    • “Ace in the Hole”
  • You’re the pain in my —
    The hurricane in my —
    Supersensitive heart, dear.
    Still I love you, I know,
    And the reason is merely because
    You irritate me so!

    • “You Irritate Me So”
  • Relax for a moment my Jerry
    Come out of your dark monastery
    While Venus is beaming above.
    Darling, let’s talk about love.

    • “Let’s Not Talk About Love”

Something To Shout About (1943)

  • You’d be so nice to come home to
    You’d be so nice by the fire…

    • “You’d Be So Nice To Come Home To”
  • You’d be so nice,
    You’d be paradise
    To come home to and love.

    • “You’d Be So Nice To Come Home To”

Mexican Hayride (1944)

  • It must be fun to be you
    And play with love as you do

    To treat each new romance
    As merely one more dance
    Or just another book to glance through
    It must be fun to acquire
    Whatever heart you desire,
    And when you’re bored with it
    To tear it in two,
    It must be fun to be you.

    • “It Must Be Fun To Be You”

Kiss Me, Kate (1948)

  • So kiss me Kate,
    Thou lovely loon,
    E’er we start on our honeymoon.

    Oh, kiss me, Kate, Darling devil divine,
    For now thou shall ever be mine.

    • “Kiss Me Kate”

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One Comment on "The Lovers’ Chronicle 9 June – trails – art by Michael Ancher – lyrics by Cole Porter"

  1. Jacqueline Barbour
    09/06/2016 at 7:12 pm Permalink

    Beautiful trail of sorrow and words you leave for us to follow

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