The Lovers’ Chronicle 3 May – letters – verse by May Sarton – art by Robert De Niro, Sr.

Dear Zazie,

Here is today’s Lovers’ Chronicle from Mac Tag.

Rhett

The Lovers’ Chronicle

Dear Muse,

mactagletters
this verse,
these letters
strung together,
a reflection of all
that comes from
bein’ connected
to what matters
of givin’ somethin’ intimate
and carin’, and not bein’
afraid of goin’ beyond
and underneath thinkin’
of the singular reflection
of you and believin’
 © copyright 2021 mac tag/cowboy coleridge all rights reserved
 **********************************************************
if “solitude is richness of self”
then we are way beyond
any dream of Avaritia
struggles now against
all of it, self-doubt,
but underneath
keep pushin’
turn to thoughts of you,
sweepin’ over,
makin’ a lovely show,
so i am left with wonder
on seein’, one might marvel,
“What is it in your heart?”
not guessin’ that on my face,
merely a reflection of all
that has come from this

© copyright 2020 mac tag/cowboy coleridge all rights reserved

every day
seemin’ly always
connected to you
sometimes an affair
and sometimes not

you have to be willin’
to give somethin’ intimate
and not care, because
you have to believe

struggle against self-doubt,
but underneath i think
of the singular reflection
of you and i believe

© copyright 2019 mac tag/cowboy coleridge all rights reserved

the letters
the only remedy

always took the course
of least resistance,
along the way,
from one town,
from one heart,
to another
romantic escapades
resemblin’ operatic plots
learn the language
and write letters…

this wanderin’ nature,
and the precariousness
of feelin’s
a letter slipped
into a pocket
not to speak
of what it said…

now finally in a position
of not havin’ to go without
the necessities of life
just what these necessities are,
no one can judge….

understand
how intimacy
can exist
a commitment
to a way of life
to captivate so
to obtain
an understandin’
that inspiration
is all that matters

watchin’, captivated, you swimmin’
through the waters of yesteryear…
in the hill country river near our house,
in the hidden waterfall fed pool in Belize,
in the spring fed horse tank at Seven Cross…
the way your hair would bloom ‘neath the water
one of my greatest pleasures

anything good,
has elements of you
and the certain delight
of livin’, if with nothin’ else
than this consolation
knowin’ you

© copyright 2018 mac tag/cowboy coleridge all rights reserved

The letters he wrote to her;
His only remedy to keep
from goin’ mad
or dyin’ of regret…

He took the course
of least resistance
Puttin’ himself in a position
where he need no longer go without
any necessities of life
Just what those necessities
were for him, no one could judge….

At first, no one could understand
How an intimacy
could exist between himself
and the woman in Texas
He a man of known character
Her strong in her commitment
to her way of life,
her land and horses
He attracted to every kind
of dissolute livin’
Of her he said,
Those who believe that a woman
is incapable of makin’ a man
equally happy all the twenty-four
hours of the day have never
known a woman such as her
She was as well read as he
She judged him astutely
No woman so captivated him
None obtained so deep an understandin’
She penetrated his outward shell
But she resisted the temptation
to join her destiny with his
She came to discern
his wanderin’ nature,
his volatile background,
and the precariousness
of his feelin’s
Before he left,
she slipped a letter into his pocket
He would not speak of what it said…

Crestfallen, despondent,
he set off for a tour
of France and Italy
Along the way,
from one town,
from one heart,
to another,
romantic escapades
resemblin’ operatic plots
He settled in Venice,
learned the language
And wrote her letters…

Anything good,
has elements of you
Everything bad,
has an incurred guilt
All the while, a victim
of my senses
A certain delight in goin’
astray and constantly
livin’ in error,
with no other consolation
than that of knowin’
i had erred

watchin’, captivated, you swimmin’
through the waters of yesteryear…
in the hill country river near our house,
in the hidden waterfall fed pool in belize,
in the spring fed horse tank at seven cross…
the way your hair would bloom ‘neath the water
one of my greatest pleasures

© Copyright 2016 Mac Tag/cowboy coleridge all rights reserved

 

maysartonToday is the birthday of May Sarton (Eleanore Marie Sarton, Wondelgem, Belgium, May 3, 1912 – July 16, 1995 York, Maine); poet, novelist and memoirist.  She said;

“I don’t write poems very often and when I do, they come in batches and they always seem to be connected to a woman, in my case, a muse who focuses the world for me and sometimes it’s a love affair and sometimes it’s not.”

“You choose to be a novelist but you’re chosen to be a poet. This is a gift and it’s a tremendous responsibility. You have to be willing to give something terribly intimate and secret of yourself to the world and not care, because you have to believe that what you have to say is important enough.”

“Loneliness is the poverty of self; solitude is richness of self.”

It struggles now alone
Against death and self-doubt,
But underneath the bone
The wings are pushing out.

And I thought of your face that sweeps over me like light,
Like the sun on an apple making a lovely show,
So one seeing it marveled the other night,
Turned to me saying, “What is it in your heart? You glow””…
Not guessing that on my face he saw the singular
Reflection of your grace like fire on snow…
And loved you there.

And today is the birthday of Robert De Niro (Robert Henry De Niro; Syracuse, New York ; May 3, 1922 – May 3, 1993 Manhattan); abstract expressionist painter and the father of actor Robert De Niro.

During the 1970s and 1980s, De Niro exhibited in museums and galleries throughout the United States, including New York, San Francisco, Kansas City, Los Angeles, and Washington, D.C. He taught at several art schools and colleges including the New York Studio School, the Cooper Union, the New School for Social Research and the School of Visual Arts. De Niro was a visiting artist at Michigan State University’s Department of Art in the spring of 1974.

His work is included in several museum collections including: Albright-Knox Art Gallery, Arkansas Arts Center, Brooklyn Museum, Baltimore Museum of Art, The Butler Institute of American Art, Corcoran Gallery of Art, Crocker Art Museum, The Denver Art Museum, The Heckscher Museum of Art, Hirshhorn Museum and Sculpture Garden, Kansas City Art Institute, the Metropolitan Museum of Art, the National Academy Museum, Mint Museum, Parrish Art Museum, Provincetown Art Association and Museum, Smithsonian American Art Museum, Wadsworth Atheneum, Weatherspoon Art Museum, Whitney Museum of American Art, Yale University Art Gallery, and the Yellowstone Art Museum.

Gallery

20230503_131153

20230503_131031

Woman in red

Woman in red

Dora in Red Dress, 1960

Dora in Red Dress, 1960

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The Lovers’ Chronicle 2 May – shouts – art by Augustus Egg – lyrics by Lorenz Hart

Dear Zazie,

Here is today’s Lovers’ Chronicle from Mac Tag.

Rhett

The Lovers’ Chronicle

Dear Muse,

mactagshouts
from the past
sometimes loud
sometimes not
but always there
used to govern
now just aware
but did learn,
most important,
would not be here
otherwise
so thanks
are given
for there is
no other place
i would rather be
© copyright 2021 mac tag/cowboy coleridge all rights reserved
or whispers
whatever it takes
though no doubt
you might be bored
by now, what with
each one of these
really only about
how much i need this
no matter how i sketch it,
it is not a stretch to say
this is the reason
all i was lookin’ for
it came upon me
wave on wave

© copyright 2020 mac tag/cowboy coleridge all rights reserved

confessional outpourin’s
veerin’ from hopeless
to hopeful

honed for physical need
but not much else
never could overcome
emotional detachment

had yet to discover
what matters…
but now
will not stand
for anything but to be
wreathed in this pursuit

a blessed and tormented
life of which only hints,
or sometimes shouts,
appear in these songs

© copyright 2019 mac tag/cowboy coleridge all rights reserved

you saw me
without a dream
you heard
you knew why
we were there
a prayer
perhaps
no longer
alone
without
well, why not
down here
anything can,
and usually does,
happen

even that

© copyright 2018 mac tag/cowboy coleridge all rights reserved

Another from the archives, from the Quarter…

Outside, rainin’
thunder rumbles
We have returned
from pickin’ up po-boys, still warm,
and two six packs of cold Abita
The room is full of burnin’ candles
We eat and drink and talk
We laugh, we live
The thunder increases
in frequency and intensity
We consume

© 2013 Mac Tag/Cowboy Coleridge. All rights reserved

Today is the birthday Augustus Egg (Augustus Leopold Egg2 May 1816, in London – 26 March 1863, in Algiers); Victorian artist, and member of The Clique best known for his modern triptych Past and Present (1858), which depicts the breakup of a middle-class Victorian family.

Gallery

The Travelling Companions *oil on canvas *65.3 x 78.7 cm *1862

The Travelling Companions
*oil on canvas
*65.3 x 78.7 cm
*1862

Feria at Seville

Feria at Seville

The Love Letter, by 1863

The Love Letter, by 1863

Today is the birlorenzhartthday of Lorenz Hart (Lorenz Milton Hart, Harlem, May 2, 1895 – November 22, 1943 New York City); the lyricist half of the Broadway songwriting team Rodgers and Hart.  Songs he wrote the lyrics to include; “Blue Moon,” “Mountain Greenery,” “The Lady Is a Tramp,” “Manhattan,” “Where or When,” “Bewitched, Bothered, and Bewildered,” “Falling in Love with Love,” “My Funny Valentine,” “I Could Write a Book”, “This Can’t Be Love”, “With a Song in My Heart”, “It Never Entered My Mind”, and “Isn’t It Romantic?”.

Hart lived with his widowed mother. He suffered from alcoholism, and would sometimes disappear for weeks at a time on alcoholic binges. Some of his lyrics might be confessional outpourings of a hopeless romantic who loathed his own body. Apparently, Hart, who stood just under five feet tall and wreathed himself in cigar smoke, saw himself as an undesirable freak. Homosexual in the era of the closet, he pursued a secretive and tormented erotic life of which only hints appear in his songs.

Hart suffered from depression throughout his life. His erratic behavior was often the cause of friction between him and Rodgers and led to a breakup of their partnership in 1943 before his death. Rodgers then began collaborating with Oscar Hammerstein II.

Devastated by the death of his mother seven months earlier, Hart died in New York City of pneumonia from exposure on November 22, 1943, after drinking heavily.  His remains are buried in Mount Zion Cemetery in Queens County, New York.  The circumstances of his life were heavily edited and romanticized for the 1948 MGM biopic Words and Music.

Sample Lyrics

“Blue Moon” (1934)

  • Blue Moon,
    You saw me standing alone,
    Without a dream in my heart,
    Without a love of my own.
  • Blue Moon,
    You knew just what I was there for,
    You heard me saying a prayer for,
    Someone I really could care for.
  • Blue Moon,
    Now I’m no longer alone,
    Without a dream in my heart,
    Without a love of my own.

Mountain Greenery (1935)

  • Bless our Mountain Greenery home!
    In a mountain greenery
    Where God paints the scenery
    Just two crazy people together

“The Lady Is a Tramp” (1937)

  • She gets too hungry for dinner at eight…
    She likes a crap game, but never come late…
    She’d never bother with people she hates…
    That’s why the lady is a tramp.

Bewitched (1940)

  • I’m wild again, beguiled again
    A simpering, whimpering child again;
    Bewitched, bothered and bewildered – am I.
  • Couldn’t sleep and wouldn’t sleep
    When love came and told me, I shouldn’t sleep;
    Bewitched, bothered and bewildered – am I.
    I’m wild again! Beguiled again!
    A simpering, whimpering child again,
    Bewitched, bothered and bewildered am I.

Have You Met Miss Jones?

  • And all at once I lost my breath
    And all at once was scared to death
    For all at once I owned the earth and sky.
    Now I’ve met Miss Jones
    We’ll keep on meeting till we die,
    Yes, Miss Jones and I 

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The Lovers’ Chronicle 1 May – this daze – premiere of Mozart’s Le nozze di Figaro – art by George Inness, Jules Breton, & Cecilia Beaux – Folies Bergère

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  What do you do when you are in a daze?  Who do you think of?  Rhett

The Lovers’ Chronicle

Dear Muse,

i sit to write
as i do everyday
with these thoughts
it is as if
you were sittin’ right here
i have said
and written,
they are all about this
do you believe yet
this is as close
as i can get to why…
some believe
you get to choose
what you write
i do not believe that

© 2020 mac tag/cowboy coleridge all rights reserved

leave the ordinary

abandon, ready
to believe, an intricate
ballet hummin’ with life
inside rapt together
nestled against what comes
we make such abundance

feel the flesh churn the fire inside us,
pushin’ forward toward its ragged edge,
rushin’ like a swollen river into multitude

there is a purpose,
there is enough of us
to see it, we can, from a distance,
hear the thrum, we are gorgeous

© copyright 2019 mac tag/cowboy coleridge all rights reserved

these days
cool mornin’s
just right evenin’s

verse comin’
followin’ the vision
these days

this daze
when writin’
and wonderin’

imaginin’,
creatin’
this

these days
lightin’ flashin’
thunder boomin’
rain pourin’
hail poundin’

days lingerin’
and lengthenin’
time spent longin’

for you

© copyright 2018 mac tag/cowboy coleridge all rights reserved

One from the archives, originally written in April 2011.  Forever lovin’ you in……

This Daze

I love these days
The cool mornin’s
Just right evenin’s
New beginnin’s

New poems comin’
Flowers buddin’
Dogwoods bloomin’
I love these days

I love this daze
My mind is in
When I’m writin’
And wonderin’

Imaginin’
And creatin’
Contemplatin’
I love this daze

I love these days
Lightin flashin’
Thunder boomin’
The rain pourin’

Days lingerin’
And lengthenin’
Time spent longin’
I love these days

I love this daze
This day dreamin’
Of her, wishin’
For romancin’

For belongin’
For love lastin’
Everlastin’
I love this daze

© Copyright 2011 Mac Tag/CowboyColeridge All rights reserved

The Song of the Day is Forever in a Daze by Flying Colors.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

On this day in 1786 – In Vienna, Austria, Mozart’s opera The Marriage of Figaro is performed for the first time.

themarriageoffigaroRamberg_figaro_1The Marriage of Figaro (Italian: Le nozze di Figaro), K. 492, is an opera buffa (comic opera) in four acts composed by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna. The opera’s libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (“The Mad Day, or The Marriage of Figaro”), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.

The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Opera base list of most frequently performed operas.

Today is the birthday of George Inness (Newburgh, New York May 1, 1825 – August 3, 1894 Bridge of Allan, Scotland); landscape painter and georgist activist.

George Inness.jpg

Inness, 1890
The sisters

The sisters

In the Berkshires, 1850

The Lackawanna Valley, 1855

Lake Albano, 1869. Phillips Collection

The Storm, oil on canvas, 1885. Reynolda House Museum of American Art
Jules Breton 001.jpg

Jules Breton

 

20230501_214624

The Song of the Lark, oil on canvas, 1884

The Song of the Lark, oil on canvas, 1884

La Glaneuse lasse (1880), Cleveland Museum of Art

La Glaneuse lasse (1880), Cleveland Museum of Art

The End of the Working Day, 1886-87, Brooklyn Museum

“Breton Peasant Woman Holding a Taper”

 

Today is the birthday of Cecilia Beaux (Philadelphia May 1, 1855 – September 7, 1942 Gloucester, Mass.); society portraitist.  She received her training in Philadelphia and France.  Her sympathetic renderings of the American ruling class made her one of the most successful portrait painters of her era.

Cecilia Beaux.jpg

Beaux ca. 1888
Self portrait 1880-85. oil on canvas, 18x14in. National Portrait Gallery, Smithsonian Institution, Washington D.C.

Self portrait 1880-85. oil on canvas, 18x14in. National Portrait Gallery, Smithsonian Institution, Washington D.C.

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20230501_215206

Mrs. Robert Abbe (Catherine Amory Bennett). Brooklyn Museum

Self-portrait 1894

New England Woman. Portrait of Mrs. Jedidiah H. Richards (Beaux’s cousin Julia Leavitt), 1895. Pennsylvania Academy of Fine Arts

 Georges Clemenceau (1920)

Sita and Sarita (Jeune Fille au Chat). Portrait of Sarah Allibone Leavitt, 1893–1894. Collection of the Musée d’Orsay, Paris

Lady George Darwin, Beaux’s pastel portrait of the former Martha du Puy of Philadelphia, who married Sir George Darwin. 1889

 Beaux painting Cardinal Mercier (ca. 1919)

Painting of William Henry Howell (1919)

Landscape with Farm Building, 1888

Man with the Cat (Henry Sturgis Drinker), 1898
Folies Bergère
Folies Bergere after renovatation of facade 2013.jpg

2013, after renovation of facade (originally created in 1926)
Folies Bergère

Established on this day in 1869, the house was at the height of its fame and popularity from the 1890s’ Belle Époque through the 1920s. The institution is still in business, and is still a strong symbol of French and Parisian life. 

Costume, c. 1900

Located at 32 rue Richer in the 9th Arrondissement, the Folies Bergère was built as an opera house by the architect Plumeret.

It opened as the Folies Trévise, with light entertainment including operettas, opéra comique (comic opera), popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after a nearby street, rue Bergère (“bergère” means “shepherdess”)

Manet’s A Bar at the Folies-Bergère

In 1882, Édouard Manet painted his well-known painting A Bar at the Folies-Bergère which depicts a bar-girl, one of the demimondaines, standing before a mirror.

In 1886, Édouard Marchand conceived a new genre of entertainment for the Folies Bergère: the music-hall revue. Women would be the heart of Marchand’s concept for the Folies. In the early 1890s, the American dancer Loie Fuller starred at the Folies Bergère.

Josephine Baker in a banana skirt from the Folies Bergère production Un Vent de Folie
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The Lovers’ Chronicle 30 April – tell me – art by Luigi Russolo – verse by John Crowe Ransom

Dear Zazie,

Here is today’s Lovers’ Chronicle from Mac Tag.

Rhett

The Lovers’ Chronicle

Dear Muse,

clearly in the throes
of an illusory vision
i could see, and i said,
as breath would allow,
wake, wake from sleep
but i would not
i shook my head,
no i cannot,
i must tell you
i cannot go
until i have told you
all that you must hear
and outside
the rain
falls steady

© copyright 2021 mac tag/cowboy coleridge all rights reserved

“I don’t feel well.”
-holdin’ you-
well, i think
you have never felt better

a smile, then…
“I should be getting up,
there is much to do.”
no, i will take care
of everything
just relax and rest
it is little that i can do
for one who has done so much

a sigh, then,…
“But don’t leave just yet,
stay with me.”
as you wish, so it is
“Tell me again.”
-smilin’ and teasin’-
tell you that
which you already
know so well
“Yes, tell me.”
that which i love to tell
“Yes, yes, tell me
what I long to hear.”

i begin…

© copyright 2019 mac tag/cowboy coleridge all rights reserved

She said she did not feel well.
Holdin’ her in his arms he said,
well, I think you have never felt better.
She managed a smile and said,
I should be getting up, there is much to do.
Nonsense, he said, I shall make all the arrangements.
It is little that I can do for one who has done so much.
You just relax, he continued, and try to rest.
She sighed and felt the tension start to ebb away.
But don’t leave just yet, she said. Stay with me.
As the lady wishes, he said, so it is.
She looked up at him and said, tell me again.
He smiled and teased, tell you that
which you already know so well?
Yes, tell me.
That which I love to say?
Yes. She smiled, yes, tell me that
which I long to hear.
He began…

© copyright 2016 Mac Tag all rights reserved

Luigi_Russolo_ca._1916Today is the birthday of Luigi Russolo (Portogruaro, Italy 30 April 1885 – 6 February 1947 Cerro, Italy); Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913).  He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921.  He designed and constructed a number of noise-generating devices called Intonarumori.

 1911, Souvenir d’une nuit (Memories of a Night), oil on canvas, 99 x 99 cm, private collection

 

 1912, Sintesi plastica dei movimenti di una donna, oil on canvas, Musée de Grenoble

 

 Russolo’s grave in Laveno Mombello

Gallery 

 

Today is the birthday of John Crowe Ransom (Pulaski, Tennessee, April 30, 1888 – July 3, 1974 Gambier, Ohio); educator, scholar, literary critic, poet, essayist and editor.  He is considered to be a founder of the New Criticism school of literary criticism.  As a faculty member at Kenyon College, he was the first editor of the widely regarded Kenyon Review.  Highly respected as a teacher and mentor to a generation of accomplished students, he also was a prize-winning poet and essayist.

 
John Crowe Ransom 1941.jpg

Ransom at Kenyon
  • For I could tell you a story which is true;
    I know a lady with a terrible tongue,
    Blear eyes fallen from blue,
    All her perfections tarnished—and yet it is not long
    Since she was lovelier than any of you.

    • “Blue Girls”, line 13, from Two Gentlemen in Bonds (1927).
  • And weeping fast as she had breath
    Janet implored us, “Wake her from her sleep!”
    And would not be instructed in how deep
    Was the forgetful kingdom of death.

    • “Janet Waking”, line 25, from Two Gentlemen in Bonds (1927).

Chills and Fevers (1924)

  • And a wandering beauty is a blade out of its scabbard.
    You know how dangerous, gentlemen of threescore?
    May you know it yet ten more.

    • “Judith of Bethulia”, line 4.
  • Here lies a lady of beauty and high degree.
    Of chills and fever she died, of fever and chills,
    The delight of her husbands, her aunts, an infant of three,
    And of medicos marveling sweetly on her ills.

    • “Here Lies a Lady”, line 1.
  • Two evils, monstrous either one apart,
    Possessed me, and were long and loath at going:
    A cry of Absence, Absence, in the heart,
    And in the wood the furious winter blowing.

    • “Winter Remembered”, line 1.

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The Lovers’ Chronicle 29 April – the way – art by David Cox & Raja Ravi Varma – birth of Maya Deren – verse by Rod McKuen

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  What comes straight from your heart?  Rhett

The Lovers’ Chronicle

Dear Muse,

not from the Frampton song
but that would work
“I want you to show me”
right, none other
spent a lot of time searchin’
the verse was the key, as if,
i was driven to sit down
every day and write
and i wrote all of this
to heal, to find, to be
to get ready for you
to show me the way

© copyright 2023 mac tag/cowboycoleridge all rights reserved

to write a response,
always different,
always the same
with you
open your arms
come
with this, now
worth all the cost
i will be here
whenever
whatever
this is all we have
to offer an orison,
for the long overdue
so… we will go,
wherever we go
this is all we have

© copyright 2021 mac tag/cowboy coleridge all rights reserved

“I read your letters and I start
to reply but I don’t, because
they leave me wanting to say
so much and I can’t find
the right words. I’m not
as clever as you with words.”
i wrote a one sentence letter…
worry not whether
your words are clever
as long as they feel right

© copyright 2020 mac tag/cowboy coleridge all rights reserved

open the letter and look
at the picture enclosed
still smell the perfume
read the letter; then again
look at the picture and smile
miss everything
about the time we had
take it out once a year
to write a response,
always different,
always the same
without you
open your arms
come
adieu without you
would be too hard
i will be here
whenever
whatever
this is all we have
to offer an orison,
for the long overdue
so… we will go,
wherever we go
this is all we have

© copyright 2019 mac tag/cowboy coleridge all rights reserved

write another

may as well
les bons mots
must be found

rather the process
of puttin’ blue on white
must be followed

no response will be comin’
from this one, as the others
used to wonder what happened
but now, just file it in the drawer
of never to be, never to use

© copyright 2018.2024 mac tag/cowboy coleridge all rights reserved

This comes to you straight……

From The Heart

She opened his latest letter
And looked at the picture enclosed
She read the letter; then again
She looked at the picture and smiled
One of her big beautiful smiles
She instantly missed everything
About him and the time they had
So she sat down and wrote him back
And told him this, and also that
She reads his letters but often
Does not reply because they leave
Her wantin’ to say so much but
Then she cannot find the right words
Because she thinks she could never
Be as clever as him with words
He read this letter that she wrote
And promptly sat down and composed
A one sentence letter to her:
You need never worry whether
Your words are clever or not so;
As long as they come from your heart

© Copyright 2013 Cowboy Coleridge/Mac Tag. All rights reserved.

The Song of the Day is “Straight from the Heart” by Bryan Adams.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

Today is the birthday of David Cox (Birmingham, England; April 1783 – 7 June 1859 Birmingham, England); landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism.

In my opinion, one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour.  He also painted over 300 works in oil towards the end of his career.

Gallery

Cox (1830) by William Radclyffe

Cox (1830) by William Radclyffe

20230429_081741

Night train

Night train

A windy day

A windy day

Today is the birthday of Raja Ravi Varma (29 April 1848 – 2 October 1906); painter and artist.  In my opinion,  one of the greatest painters in the history of Indian art. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. He was known as the first modern Indian artist.  Specially, he was notable for making affordable lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure. His lithographs increased the involvement of common people with fine arts and defined artistic tastes among common people. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received profound acclaim. He was part of the royal family of erstwhile Parappanad, Malappuram district.

Gallery

Ravivarma1b

Tilottama

Tilottama

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Galaxy of Musicians

Galaxy of Musicians

 

Maya_DerenToday is the birthday of Maya Deren (born Elenora Derenkowskaia, Kiev, April 29, 1917 – October 13, 1961 New York City); filmmaker, choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.  In my opinion, Deren was one of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer and photographer.  Here is a still photograph from the experimental 1943 short film Meshes of the Afternoon showing Deren looking out of a window.

Gallery

By Alexander hammid

By Alexander hammid

By her husband Alexander hammid

By her husband Alexander hammid

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20230429_075309

 

 

rodmckuenWikimediarodAnd oday is the birthday of Rod McKuen (Rodney Marvin McKuen; Oakland, April 29, 1933 – January 29, 2015 Beverly Hills); singer-songwriter, musician and poet.  He produced a wide range of recordings, which included popular music, spoken word poetry, film soundtracks and classical music.  He earned two Academy Award nominations and one Pulitzer nomination for his music compositions.  McKuen’s translations and adaptations of the songs of Jacques Brel were instrumental in bringing the Belgian songwriter to prominence in the English-speaking world.  His poetry deals with themes of love, the natural world and spirituality.

Music to The Prime of Miss Jean Brodie (1968)

Musical suite at YouTube“Jean” · McKuen performance · cover version by Oliver
  • Jean, Jean, roses are red
    All the leaves have gone green
    And the clouds are so low
    You can touch them, and so
    Come out to the meadow, Jean.
  • Jean, Jean, you’re young and alive
    Come out of your half-dreamed dream
    And run, if you will, to the top of the hill
    Open your arms, bonnie Jean.
  • Till the sheep in the valley come home my way
    Till the stars fall around me and find me alone
    When the sun comes a-singin’ I’ll still be waitin
  • For Jean, Jean, roses are red
    And all of the leaves have gone green
    While the hills are ablaze with the moon’s yellow haze
    Come into my arms, bonnie Jean.
  • Adieu, Francoise, my trusted wife;
    Without you I’d have had a lonely life.
    You cheated lots of times but then,
    I forgave you in the end
    Though your lover was my friend.
  • Adieu, Francoise, it’s hard to die
    When all the birds are singing in the sky.

    Now that spring is in the air
    With your lovers ev’rywhere,
    Just be careful; I’ll be there.

    • Seasons in the Sun” (1961), as translated from the Jacques Brel song “Le Moribond”· McKuen performance
  • We have only love,
    to offer as a prayer,
    for all the wrongs in the world.
    So… like singing troubadours we’ll go,
    singing love wherever we go.
  • We have only love,
    to help us find our way,
    as we go out into the world.
    So… like laughing children we’ll go
    singing love wherever we go.

    • “Only Love” by Jacques Brel as translated on the album After Midnight (1988)

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The Lovers’ Chronicle 28 April – once known – verse by Charles Cotton – art by José Malhoa – birth of Harper Lee

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  What are you tryin’ to get down to?  What is the heart of the matter for you?  Rhett

The Lovers’ Chronicle

Dear Muse,

first used in a pre-2016
long dramatic poem
“Not, once bitten”
ha, no but i could go there
“Maybe next time”
right, but it is not true
“You didn’t know”
nope, never did
wrote about it often,
never had a clue
so a better title would be;
never known till you

© copyright 2023 mac tag/cowboycoleridge all rights reserved

in this vision i lie upon alone,
thoughts of you carry through
this one, particularly plays on…
twilight comin’ on, the last caress
lingers, i most can feel your skin
under my fingers as they trace
your curves, softly, pressin’,
becomin’ more urgent,
yes like that, please

© copyright 2021 mac tag/cowboy coleridge all rights reserved

indeed and then
it was torn away

remind me again,
why you allowed yourself
to get close enough, and why,
here is the part that kills me,
did you believe it could happen

still do not know what the hell

that should have stamped
on your forehead and drilled
into your soul: not to be

© copyright 2020.2023 mac tag/cowboycoleridge all rights reserved

in this vision,
once known upon,
the sight and touch,
keeps as is
the dawnin’

how memories
pursue, cling

temptin’, as if designed
for so she was and since
only wishes remain

a callin’,
to do this
to become
to seek

to see how far

come will you join
and we will have again

© copyright 2019 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

twilight on the high plains
watchin’ the changin’ tableau

weave together
dreams, reality

the wispy char, the shadows
rise, the edges of the vision

from somewhere,
a sound spreads,
the words form
a whisper catches
a ride on the wind

listen, tryin’ to understand
what could it be about
somethin’ once known
then forgotten, left behind

search in vain, nothin’ in sight
search all points in between
and say… no answers await

in this place,
dear solitudes
the presence,
or the lack thereof,
awaits, insists
the answer is here

there is no beginnin’ or end
only an indifferent view from here
in a dark sky, what is the difference
expectin’ nothin’ of the days

followin’ the Revelator,
eyes could see
but of what illuminated,
had not the strength to believe

yet perhaps, beyond this fear,
is a place where we can be

if only temporary, for awhile
would appear what i have dreamed

there, envision the source
there, find redemption,
and this truth
that has no name

what can i,
focus on the dream of you
wave on wave of wishes,
why still i
with the will,
can the way be found

weary, the sun rises on the prairie
the mornin’ wind rises
dreams, carry away

and the whispered words,
full of meanin’

that which was once known,
like a half remembered dream
the heart of the matter
if only the will can be summoned

© copyright 2018 mac tag/cowboy coleridge all rights reserved

My will gets weak and my thoughts seem to scatter.  Then everything changes and my friends seem to scatter and my flesh will get weak and the ashes will scatter, but I am tryin’ to get down to……

The Heart of the Matter

Often on the mountain, I sit
At sunset, randomly walkin’
My gaze over the plain below,

The changin’ tableau at my feet

Over there the flowin’ river
Windin’ its way into the distance
Where we wove ourselves together
Where dreams wound round reality

At the top of this mountain, crowned
With twilight, stars throw a last light,

And the wispy char of the Queen of shadows
Rises, and the edges of the vision are visible

Dartin’ from the dark depths,
A delicate sound spreads in the air,
The Traveler stops, and the words form
A whisper catches a ride on the wind

Listen, tryin’ to understand
What could it be all about
Somethin’ that was once known
Then forgotten and left behind

Hill in hill in vain within sight,
West from dawn to sunset,
Search all points of the immense
And say… nowhere do answers await

In this valley, this place, this ranch,
River, grass, dear solitudes
The presence, or the lack thereof,
Awaits, insists the answer is here

But there is no beginnin’ or end
Only an indifferent view from here
In a dark sky, what is the difference
Expectin’ nothin’ of the days

When I followed the Revelator,
My eyes could see across the void
But of what was illuminated,
I had not the strength to believe

Yet perhaps, beyond this terminal fear,
In a place where other skies shine,
If only temporary, for awhile
Would appear what I have dreamed

There, I envision the source of aspiration
There, I find myself and redemption,
And this ideal truth that every soul desires
That has no name in the land of exile

What can I, focused on the dream of you
Wave on wave of wishes, wash me up,
In the land of exile why still I
With the will, can the way be found

Weary now, the sun sets on the prairie
The night wind rises in the valley
My dreams, similar to the fallin’ snow
Carried away by the stormy north wind

And the whispered words as well,
Carried away but not before
Finally, their meaning, clear now
As I stare over the craggy cliff

That which was once known long ago,
Like a half remembered dream
The heart of the matter: Forgiveness…
If only the will can be summoned

© Copyright 2013 Mac Tag/Cowboy Coleridge All rights reserved.

The Song of the Day is “The Heart of the Matter” by Don Henley.  We do not own the rights to this song.  All rights reserved by the rightful owner.  No copyright infringement intended.

 

CharlesCottonToday is the birthday of Charles Cotton (Alstonefield, Staffordshire, England; 28 April 1630 – 16 February 1687); poet and writer, best known for translating the work of Michel de Montaigne from the French.

In 1656 he married his cousin Isabella Hutchinson. She died in 1670. At the request of his wife’s sister, Miss Stanhope Hutchinson, he undertook the translation of Pierre Corneille’s Horace in 1671. In 1675, he married the dowager Countess of Ardglass; she had a jointure of £1500 a year, but he did not have the power to spend it.

Here is an interesting epitaph that Cotton wrote for “M.H.”, a prostitute (spacing, spelling and capitalisation as originally printed):

Epitaph upon M.H

In  this cold Monument  lies one,
That I know who has lain upon,
The happier He : her Sight would charm,
And Touch have kept King David warm.
Lovely, as is the dawning East ,
Was this Marble’s frozen Guest ;
As soft, and Snowy, as that Down
Adorns the Blow-balls  frizled Crown;
As straight and slender as the Crest,
Or Antlet  of the one beam’d Beast;
Pleasant as th’ odorous Month  of May :
As glorious, and as light as Day .

Whom I admir’d, as soon as knew,
And now her Memory pursue
With such a superstitious Lust,
That I could fumble with her Dust.

She all Perfections had, and more,
Tempting, as if design’d a Whore ,
For so she was; and since there are
Such, I could wish them all as fair.

Pretty she was, and young, and wise,
And in her Calling so precise,
That Industry had made her prove
The sucking School-Mistress  of Love :
And Death , ambitious to become
Her Pupil , left his Ghastly home,
And, seeing how we us’d her here,
The raw-bon’d Rascal  ravisht her.

Who, pretty Soul, resign’d her Breath,
To seek new Letchery in Death.

 

Jose-MalhoaToday is the birthday of José Vital Branco Malhoa, known simply as José Malhoa (Caldas da Rainha, Portugal; 28 April 1855 – Figueiró dos Vinhos, Portugal; 26 October 1933); painter.

Malhoa was, with Columbano Bordalo Pinheiro, the leading name in Portuguese naturalist painting, in the second half of the 19th century. He painted often popular scenes and subjects, like his two most famous paintings, The Drunks (1907) and Fado (1910). He always remained faithful to the naturalist style, but in some of his works, there are impressionist influences, like in his Autumn (1918), that can be considered as an “impressionist exercise”.

He saw at the end of his life, the inauguration of the José Malhoa Museum, in Caldas da Rainha.

Malhoa’s House, also known as the Dr. Anastácio-Gonçalves House-Museum, in Lisbon, was originally built in 1905 as a residence and studio for the artist. It was bought by Dr. Anastácio-Gonçalves, an art collector, a year before the painter’s death, and it became a museum in 1980, showcasing several items from his collection, namely works from Portuguese painters of the 19th and 20th century.

Gallery

Senhora entre os Vidros,

Senhora entre os Vidros,

"Ilhas dos Amores" (1908) Museu Militar de Lisboa

“Ilhas dos Amores” (1908)
Museu Militar de Lisboa

Camponesa 1903

Camponesa 1903

O Fado, 1910.

O Fado, 1910.

Portrait of Laura Sauvinet (a pupil of the artist), Museum José Malhos, Caldas da Rainha, Portugal

Portrait of Laura Sauvinet (a pupil of the artist), Museum José Malhos, Caldas da Rainha, Portugal

 

 

 

 

 

 

 

 

 

 

 

harperleenelle_harper_lee1Today is the birthday of Harper Lee (Nelle Harper Lee, Monroeville, Alabama, April 28, 1926 – February 19, 2016 Monroeville); novelist widely known for To Kill a Mockingbird, published in 1960.  It won the 1961 Pulitzer Prize and has become a classic of modern American literature.

“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.” That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
“Your father’s right,” she said. “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”

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The Lovers’ Chronicle – 27 April – into the silence – art by Theodor Kittelsen – verse by Cecil Day-Lewis

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  Have you been into the silence?  Rhett

The Lovers’ Chronicle

Dear Muse,

another from the drama files
“Well if you had to go”
oh i did, the strongest
want and need ever known
“So you could understand”
not sure i knew that initially
but it was the only way for me
to make sense of it all
“We all have stuff to process”
right, thus into the silence
though now i prefer to go
into your arms

© copyright 2023 mac tag/cowboycoleridge all rights reserved

once ago, every day
just another way to be
not like there were
any other options

went there to understand
and i came to after awhile
the dramatic version
is that i found myself
but this i did not expect

from frequent trips to the edge,
the fear was not of fallin’, but jumpin’

© copyright 2022.2023 mac tag/cowboycoleridge all rights reserved

i suppose
the conversation
went somethin’ like this
is it far to go
“Yes.”
shall i be gone long
“Yes, a long time.”
to whom there belong
“To the silence.”
who will say farewell
“No one.”
will anyone miss me
“You dare ask.”
“But there is one
who awaits
on the other side.”

© copyright 2021 mac tag/cowboy coleridge all rights reserved

no better feelin’, ever
than to be consumed
when the muse comes
to feel that rush
when inspiration
whisks you along
and you care not
for anything else
and time fades
as creation flows
effortlessly
onto the page
or canvas
so intimate
so needed
come on muse
take me

© copyright 2020 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

all over now
return to the house
to the bedroom
her dress,
hangin’ by the bed

in the silence,
with what was left
lost

how could it be
that nothin’
ever came of carin’

must have made a mistake,
maybe a misunderstandin’

tried hard
to discover what
denoted ‘joy and passion’
words that looked
so fine in books

it was as if everything
must need minister
to personal longin’s,
as if thrust aside
as of no account
whatever did not
instantly contribute
to stir emotions

sentimental temperament
seekin’

what was it
that would not allow

blinded by lust
no thoughts beyond
but then,
once indispensable
afraid of losin’
yet could not tell

in cold dark moments
when feelin’s grip
clasp all the tighter;
in the darkenin’ gloom

a sigh more profound,
a touch more intense,
and in the stillness
a word would float
upon their breath
tremblin’, into silence

© copyright 2019 mac tag/cowboy coleridge all rights reserved

no need to get
all that dramatic

how could it be
that nothin’
ever came of carin’

must have made a mistake,
maybe a misunderstandin’

tried hard to discover what

denoted ‘joy and passion’
words that looked
so fine in books

blinded by lust

no thoughts beyond
afraid of losin’
yet could not tell

© copyright 2018.2023 mac tag/cowboycoleridge all rights reserved

Another one for the Dark Muse.  Inspired by a passage from Gustave Flaubert‘s Madame Bovary (1857).  Hope you like……

Into The Silence

When it was all over
He returned to the house
and went up into the bedroom
He saw her dress,
hangin’ there on the bed
Then he sat down
and remained there till it was dark,
in the silence,
with what was left of them
Lost in sorrow,
in sorrowful meditation
In spite of everything,
she had loved him
But happiness, somehow,
had not come from that love
It seemed to him
that he must have made a mistake,
have misunderstood in some way
or another
He had tried hard
to discover what, precisely,
it was in life that was denoted
by the words ‘joy and passion’
Those words had always looked
so fine to him in books
Why was it he only cared
for the sea when the waves
were lashed to a fury,
and for lushness
only when it served
as backdrop to a ruin
It was as if everything
must needs minister to his
personal longin’s
and as if he thrust aside,
as of no account, whatever
did not instantly contribute
to stir his emotions,
for his sentimental
temperament sought out emotions
What was it about him
that would not allow him to love
His passion blinded him at first,
and he had no thoughts beyond it
But then, when she
had become indispensable
to him, he was afraid
of losin’ her
Yet he could not tell her

In the cold dark moments
when these feelin’s gripped him
he would clasp her all the tighter
In the on comin’ gloom
a sigh seemed more profound,
a touch seemed more intense,
and in the stillness that enfolded them
a word, softly murmured,
would float upon their breath
tremblin’, into silence

And now, in this cold dark moment
with these feelin’s grippin’ him
he clasped her pillow tight
In the darkenin’ gloom
his sigh seemed more profound
His loss seemed more intense,
and in the stillness that enfolded him
a word, softly murmured,
her name, floatin’ upon his breath
tremblin’, into silence

© Copyright 2013 Cowboy Coleridge All rights reserved

 

theodorKittelsen_selvportrettToday is the birthday of Theodor Kittelsen (Theodor Severin Kittelsen, Kragerø 27 April 1857 – 21 January 1914); artist. He is one of the most popular artists in Norway. Kittelsen became famous for his nature paintings, as well as for his illustrations of fairy tales and legends.

Kittelsen’s style had elements of Neo-Romantic and naïve painting. As a national artist he is highly respected and well known in Norway, but doesn’t receive much international attention, which is the reason that his name is often not included in registers of internationally recognized painters and artists.

Black metal and folk metal bands such as Burzum, Empyrium, Otyg and Satyricon have used some of his pictures as album art, notably illustrations taken from Kittelsen’s book Svartedauen (The Black Death). Musician Phil Elverum named the tenth song on his 2017 album A Crow Looked at Me after Kittelesen’s painting “Soria Moria” specifically, using it as an illustration of his grief. Kittelsen’s 160th birthday was celebrated in a Google doodle on 27 April 2017, giving him some exposure outside of Norway.

Gallery

The Princess picking Lice from the Troll (1900)

The Princess picking Lice from the Troll (1900)

20230427_190858

 20230427_190903

Soria Moria from Norske Folkeeventyr

 Ship in Storm by a Lighthouse (1892), black and white sketch

Illustrations for Svartedauen (Black death)

Cecil_Day-LewisAnd today is the birthday of Cecil Day-Lewis (or Day Lewis) (Ballintubbert, County Laois, Ireland; 27 April 1904 – 22 May 1972 Hadley, Greater London); poet and the Poet Laureate of the United Kingdom from 1968 until his death in 1972.  He also wrote mystery stories under the pseudonym of Nicholas Blake.  Father of actor Daniel Day-Lewis and documentary filmmaker and television chef Tamasin Day-Lewis.

Tempt me no more, for I
Have
known the lightning‘s hour,
The
poet‘s inward pride,
The
certainty of power.

Is it far to go? (1963)

“Is it far to go?” in Modern English poetry (1963) edited by N. Das Gupta, Vol. 2, p. 92
  • Shall I be gone long?
    For ever and a day
    To whom there belong?
    Ask the stone to say
    Ask my song.
  • Who will say farewell?
    The beating bell.
    Will anyone miss me?
    That I dare not tell —
    Quick, Rose, and kiss me.

Requiem for the Living (1964)

  • I have had worse partings, but none that so
    Gnaws at my mind still. Perhaps it is roughly
    Saying what God alone could perfectly show —
    How selfhood begins with a walking away,
    And Jove is proved in the letting go.

    • “Walking Away” (1962), p. 33

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The Lovers’ Chronicle 26 April – wanted – birth of Lady Hamilton – art by Eugène Delacroix & Edmund Tarbell

Dear Zazie Lee,

Here is today’s Lovers’ Chronicle from Mac Tag.

Rhett

The Lovers’ Chronicle

Dear Muse,

before, when knowin’
what was wanted
was thought
to be certain

a life spent knowin’
exactly what they wanted
without realizin’ that want
is about givin’
and not takin’

then you
then want became you

© copyright 2021.2023 mac tag/cowboycoleridge all rights reserved

Pale Love, Pale Rider

before, when knowin’
what was wanted
was certain

a life spent knowin’
exactly what they wanted
without realizin’ that want
is about givin’
and not takin’

then you
then want became you

but since you

no longer wantin’
nor wanted

© copyright 2020 mac tag/cowboycoleridge all rights reserved

but since you

no longer wantin’
nor wanted

and all that is left
plays out in dreams
all that is left of you,
is in the wantin’

and the waitin’
till want goes away

© 2019 copyright mac tag/cowboycoleridge all rights reserved

Before, when he thought he knew
just what he wanted

He had spent his entire life
thinkin’ he knew exactly
what they wanted for themselves
Not realizin’ that what
he wanted for them
was what he wanted

Then she walked into his life
and changed everything
And then she was gone
And everything changed

He became weathered and worn,
wistful and wantin’,
no longer wanted
He wanted no one
for she was the only one
he ever wanted

Now he knows, but now too late
And nothin’ has changed
All that he has left to him
of what he wanted,
plays out in his dreams
All that he has left of her,
of what she wanted,
is in the wantin’

And he waits
Till he wants no more

© copyright 2018 mac tag/cowboycoleridge all rights reserved

A life spent thinkin’
he knew exactly
what they wanted
for themselves
Not realizin’ that what
he wanted for them
was what he wanted

© copyright 2017 mac tag/cowboycoleridge all rights reserved

Not realizin’ that what
he wanted for them
was what he wanted

© copyright 2016 mac tag/cowboycoleridge all rights reserved

George Romney ‘Lady Hamilton as a Bacchante’ 1785

George Romney ‘Lady Hamilton as a Bacchante’ 1785

Today is the birthday of Emma Hamilton, Lady Hamilton (born Amy Lyon; Neston, Cheshire, England 26 April 1765 – 15 January 1815 Calais, France); maid, model, dancer and actress. She began her career in London’s demi-monde, becoming the mistress of a series of wealthy men, culminating in the naval hero Lord Nelson, and was the favourite model of the portrait artist George Romney.

In 1791, at the age of 26, she married Sir William Hamilton, British ambassador to the Kingdom of Naples, where she was a success at court, befriending the queen, the sister of Marie Antoinette, and meeting Nelson.

At 15, Emma met Sir Harry Fetherstonhaugh, who hired her for several months as hostess and entertainer at a lengthy stag party at Fetherstonhaugh’s Uppark country estate in the South Downs. She is said to have danced nude on his dining room table.  Fetherstonhaugh took Emma there as a mistress, but frequently ignored her in favour of drinking and hunting with his friends. Emma soon befriended the dull but sincere Honourable Charles Francis Greville (1749–1809). It was about this time (late June-early July 1781) that she conceived a child by Fetherstonhaugh.  Greville took her in as his mistress, on condition that the child was fostered out.

Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse.  It was then that Emma became the subject of many of Romney’s most famous portraits, and soon became London’s biggest celebrity.  So began Romney’s lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney’s work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of “Emma Hart”. She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later “attitudes”.

In 1783, Greville needed to find a rich wife to replenish his finances, and found a fit in the form of eighteen-year-old heiress Henrietta Middleton. Emma would be a problem, as he disliked being known as her lover (this having become apparent to all through her fame in Romney’s artworks), and his prospective wife would not accept him as a suitor if he lived openly with Emma Hart. To be rid of Emma, Greville persuaded his uncle, younger brother of his mother, Sir William Hamilton, British Envoy to Naples, to take her off his hands.

Greville’s marriage would prove useful to Sir William, as it relieved him of having Greville as a poor relation. To promote his plan, Greville suggested to Sir William that Emma would make a very pleasing mistress, assuring him that, once married to Henrietta Middleton, he would come and fetch Emma back. Sir William, then 55 and newly widowed, had arrived back in London for the first time in over five years.  Emma’s famous beauty was by then well known to Sir William, so much so that he even agreed to pay the expenses for her journey to ensure her speedy arrival. He had long been happily married until the death of his wife in 1782, and he liked female companionship. His home in Naples was well known all over the world for hospitality and refinement. He needed a hostess for his salon, and from what he knew about Emma, he thought she would be the perfect choice.

Greville did not inform Emma of his plan, but instead in 1785 suggested the trip as a prolonged holiday in Naples while he (Greville) was away in Scotland on business, not long after Emma’s mother had suffered a stroke.  Emma was thus sent to Naples, supposedly for six to eight months, little realising that she was going as the mistress of her host. Emma set off for Naples with her mother and Gavin Hamilton on 13 March 1786 overland in an old coach, and arrived in Naples on her 21st birthday on 26 April.

After about six months of living in apartments in the Palazzo Sessa with her mother (separately from Sir William) and begging Greville to come and fetch her, Emma came to understand that he had cast her off. She was furious when she realised what Greville had planned for her, but eventually started to enjoy life in Naples and responded to Sir William’s intense courtship just before Christmas in 1786. They fell in love, Sir William forgot about his plan to take her on as a temporary mistress, and Emma moved into his apartments, leaving her mother downstairs in the ground floor rooms.

They were married on 6 September 1791 at St Marylebone Parish Church, then a plain small building, having returned to England for the purpose and Sir William having gained the King’s consent.  She was twenty-six and he was sixty.  Although she was obliged to use her legal name of Amy Lyon on the marriage register, the wedding gave her the title Lady Hamilton which she would use for the rest of her life. Hamilton’s public career was now at its height and during their visit he was inducted into the Privy Council. Shortly after the ceremony, Romney painted his last portrait of Emma from life, The Ambassadress, after which he plunged into a deep depression and drew a series of frenzied sketches of Emma.  The newly married couple returned to Naples after two days.

Sharing Sir William Hamilton’s enthusiasm for classical antiquities and art, she developed what she called her “Attitudes”—tableaux vivants in which she portrayed sculptures and paintings before British visitors.  Emma developed the attitudes, also known as mimoplastic art, by using Romney’s idea of combining classical poses with modern allure as the basis for her act.

With the aid of her shawls, Emma posed as various classical figures from Medea to Queen Cleopatra, and her performances charmed aristocrats, artists such as Élisabeth-Louise Vigée-Le Brun, writers—including the great Johann Wolfgang von Goethe—and kings and queens alike, setting off new dance trends across Europe and starting a fashion for a draped Grecian style of dress.

As wife of the British Envoy, Emma welcomed Nelson (who had been married to Fanny Nisbet for about six years at that point) after his arrival in Naples on 10 September 1793, when he came to gather reinforcements against the French.  When he set sail for Sardinia on 15 September after only five days in Naples, it was clear that he was smitten with Emma.

Nelson returned to Naples five years later, on 22 September 1798 a living legend, after his victory at the Battle of the Nile in Aboukir, with his step-son Josiah Nisbet, then 18 years old. By this time, Nelson’s adventures had prematurely aged him; he had lost an arm and most of his teeth, and was afflicted by coughing spells.  Emma and Sir William escorted Nelson to their home, the Palazzo Sessa.

Emma nursed Nelson and arranged a party with 1,800 guests to celebrate his 40th birthday on 29 September. After the party, Emma became Nelson’s secretary, translator and political facilitator. They soon fell in love and began an affair. Hamilton showed admiration and respect for Nelson, and vice versa; the affair was tolerated. By November, gossip from Naples about their affair reached the English newspapers. Emma Hamilton and Horatio Nelson were famous.

Eugène Delacroix est un peintre français né le 26 avril 1798 à Charenton-Saint-Maurice et mort le 13 août 1863 à Paris

Gallery

Femme caressant un perroquet

Femme caressant un perroquet

Les Femmes d’Alger dans leur appartement

Les Femmes d’Alger dans leur appartement

La Mort de Sardanapale (1827-1828, musée du Louvre)

La Mort de Sardanapale (1827-1828, musée du Louvre)

Chevaux sortant de la mer 1860 The Phillips Collection

Chevaux sortant de la mer 1860 The Phillips Collection

Jeune orpheline au cimetière 1824 Louvre

Jeune orpheline au cimetière 1824 Louvre

Edmund Tarbell

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Woman with a blue veil

Woman with a blue veil

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20230426_212544

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The Lovers’ Chronicle 25 April – unforgiven – verse by Walter de la Mare – art by Karel Appel – premier of Puccini’s Turandot – photography by Cy Twombly

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  Are you unforgiven too?  Rhett

The Lovers’ Chronicle

Dear Muse,

there can only be
one song for today,
actually three
versions I, II, and III
“Metallica baby”
absolutely
i like that i can swing
from “Nessun Dorma”
to “Enter Sandman” with ease
“You seem to be drawn to extremes”
i believe so, not sure how or why
“Speaking of drawn…”
oh yes, come here bébé

© copyright 2023 mac tag/cowboycoleridge all rights reserved

turns out,
there was someone
standin’ there, though
not in the moonlight,
but in the lights
of peachtee street

i called and you answered
the words, stir and stay
and do not fade away

and now we shall
entwined, readin’
the verse that moves
and goes on and on

© copyright 2021 Mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

mactagbridgeatduskis anybody there,
standin’ in the moonlight
tell them i came,
and no one answered,
that i kept my word
never the least stir
made the listeners,
words fall echoin’
through the shadows
from a man left awake
how the silence surges softly,
and emptiness goes on and on

© copyright 2020 mac tag/cowboy coleridge all rights reserved

a word without rhyme
except for near ones
which do not count
came to learn
how not to believe in it

real and imagined
witnessed
none the wiser
for dyin’, for leavin’
for what was done
and what was not done
for not bein’
what was wanted
true to upbringin’,
learn to include amongst

searchin’,
carryin’ all that
into torrid affairs
spectacularly flawed,
endin’ not well every time
packin’ and leavin’
turnin’ the page
sowin’ and reapin’
cultivatin’ and endin’
up alone

for that is the price paid
to live the life chosen

come to know
that which some
had not the capacity,
nor the will,
nor way to know…
it begins with self
but cannot allow that
thus continue to be

are you too

© copyright 2019 mac tag/cowboy coleridge all rights reserved

Another for the Dark Muse.  This is a true story.  He is.  Are you……

Unforgiven

Forgive has seven letters
Two syllables, one meanin’
Comes from an Old English word
Cannot rhyme it, except for
near rhymes which he does not count
Accent second syllable,
if you are gonna say it
And for him, it is quite hard
When taught from an early age,
not to forgive or forget,
It is a hard thing to do

Raised by one of the masters
The queen of unforgiveness
Retribution her mantra
She said vengeance was a dish
best served anyway you can
Watched her exact her revenge
on her friends and family
for slights real and imagined
Witnessed the sharp verbal knife
slipped in and twisted, sometimes
the victim none the wiser
Her list of those she never
forgave was a lengthy one
It started with her mother
for dyin’ the way she did
and included her father
for leavin’ the way he did
Her mother’s brother and wife,
who adopted her, for what
was done and what was not done
Her brother, for what he did
Her husband, for not bein’
what she wanted him to be
The list would even one day
include the son she taught well
And true to his upbringin’,
he would learn to include her
among his unforgiven

He went out into the world
carryin’ all that baggage
and had torrid love affairs
with some spectacularly
flawed and beautiful women
Of course these relationships
ended not well every time,
with him packin’ his journals,
his books, his unforgiveness
and leavin’; turnin’ the page
sowin’ his pain and sorrow,
reapin’ his wrath and revenge,
Cultivatin’ his grudges,
and yes, endin’ up alone
For that is the price he paid
to live the life he chose, to
follow the path and become,
one of the unforgiven

Then one day, he came to know
that which the one he learned from
had not the capacity,
nor the will, nor way to know;
That in order to forgive,
he must first forgive himself
But he will not allow that
So he continues to be,
among the unforgiven
Are you unforgiven too?

© Copyright 2013 Mac Tag/Cowboy Coleridge All rights reserved

The Songs of the Day are “The Unforgiven I, II and III” by Metallica.  We do not own the rights to these songs.  All rights reserved by the rightful owner.  No copyright infringement intended.

Today is the birthday of Walter John de la Mare (Charlton 25 April 1873 – 22 June 1956 Twickenham); poet, short story writer and novelist.  Perhaps best remembered for his works for children, for his poem “The Listeners”, and for subtle psychological horror stories, amongst them “Seaton’s Aunt” and “Out of the Deep”.

The Listeners (1912)

  • “Is anybody there?” said the Traveler,
    Knocking on the moonlit door;
    And his horse in the silence champed the grasses
    Of the forest’s ferny floor.
  • “Tell them I came, and no one answered,
    That I kept my word,” he said.
  • Never the least stir made the listeners,
    Though every word he spake
    Fell echoing through the shadowiness of the still house
    From the one man left awake:
    Aye, they heard his foot upon the stirrup,
    And the sound of iron on stone,
    And how the silence surged softly backward,
    When the plunging hoofs were gone.
  • Here lies a most beautiful lady,
    Light of step and heart was she;
    I think she was the most beautiful lady
    That ever was in the West Country.

    • An Epitaph.
  • But beauty vanishes; beauty passes;
    However rare—rare it be;
    And when I crumble, who will remember
    This lady of the West Country?

    • An Epitaph.
  • Look thy last on all things lovely,
    Every hour—let no night
    Seal thy sense in deathly slumber
    Till to delight
    Thou hast paid thy utmost blessing.

    • Fare Well, st. 3 (1918).
  • ‘Who knocks?’ ‘I, who was beautiful,
    Beyond all dreams to restore,
    I from the roots of the dark thorn am hither,
    And knock on the door.’

    • The Ghost.
  • A face peered. All the grey night
    In chaos of vacancy shone;
    Nought but vast sorrow was there—
    The sweet cheat gone.

    • The Ghost.

Today is the birthday of Karel Appel (Christiaan Karel Appel; 25 April 1921 – 3 May 2006); painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.

Gallery

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Sitting girl

Sitting girl

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The cover of the score printed by Ricordi

The cover of the score printed by Ricordi

Today is the premier date in 1926 of Turandot, an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. Its best-known aria is “Nessun dorma”.

Though Puccini first became interested in the subject matter when reading Friedrich Schiller’s 1801 adaptation, he based his work more closely on the earlier play Turandot (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic Haft Peykar; a work by twelfth-century Persian poet Nizami (c. 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (r. 420–438), by his companion of the red dome, associated with Mars. In the first line of the story, the protagonist is identified as a Russian princess. The name of the opera is based on Turan-Dokht (daughter of Turan), which is a name frequently used in Persian poetry for Central Asian princesses.

The opera’s version of the story is set in China. It involves Prince Calaf, who falls in love with the cold Princess Turandot. In order to obtain permission to marry her, a suitor must solve three riddles. Any single wrong answer will result in the suitor’s execution. Calaf passes the test, but Turandot refuses to marry him. He offers her a way out: if she is able to guess his name before dawn the next day, he will accept death. In the original story by Nizami, the princess sets four conditions: firstly “a good name and good deeds”, and then the three challenges. As with Madama Butterfly, Puccini strove for a semblance of authenticity (at least to Western ears) by integrating music from the region. Up to eight of the musical themes in Turandot appear to be based on traditional Chinese music and anthems, and the melody of a Chinese song “Mò Li Hūa (茉莉花)”, or “Jasmine”, became a motif for the princess.

Puccini left the opera unfinished at the time of his death in 1924; Franco Alfano completed it in 1926. The first performance took place at the Teatro alla Scala in Milan on 25 April 1926, conducted by Arturo Toscanini. The performance included only Puccini’s music without Alfano’s additions. The first performance of the opera as completed by Alfano was performed on the next evening, 26 April, although it is disputed whether the second performance was conducted by Toscanini or by Ettore Panizza.

“Nessun dorma” (let no one sleep), has long been a staple of operatic recitals. Luciano Pavarotti popularized the piece beyond the opera world in the 1990s following his performance of it for the 1990 World Cup, which captivated a global audience. Both Pavarotti and Plácido Domingo released singles of the aria, with Pavarotti’s reaching number 2 in the UK. The Three Tenors performed the aria at three subsequent World Cup Finals, in 1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama. Many crossover and pop artists have performed and recorded it. In what the National Academy of Recording Arts and Sciences called “the greatest last-second substitution act in Grammy history”, Aretha Franklin sang a “soul-infused” version of the aria in place of Pavarotti when throat problems caused him to withdraw from the 1998 40th Annual Grammy Awards show.

The aria has been used in the soundtracks of numerous films often appearing at a central moment in the film—sometimes with the aria’s moment of musical resolution aligned with the film’s narrative climax, giving symbolic meaning to the aria’s rich emotional impact. Films in which the aria plays a significant role in the soundtrack include The Killing FieldsNew York StoriesThe Sea InsideThe Sum of All FearsThe Mirror Has Two FacesBend It Like BeckhamNo Reservations, Mission: Impossible – Rogue Nation (with the scene set within a performance of Turandot itself), and The Upside. It was sung by Pavarotti himself as part of his fictional role in the film Yes, Giorgio. When all of Italy was under lockdown due to the COVID-19 pandemic, a video of opera singer Maurizio Marchini performing “Nessun dorma” from his balcony in Florence went viral.

As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot:

Nessun dorma! Nessun dorma!
Tu pure, o Principessa,
nella tua fredda stanza,
guardi le stelle
che tremano d’amore, e di speranza!

None shall sleep! None shall sleep!
Not even you, oh Princess,
in your cold bedroom,
watching the stars
that tremble with love, and with hope!

Ma il mio mistero è chiuso in me;
il nome mio nessun saprà!
No, No! Sulla tua bocca,
lo dirò quando la luce splenderà!

But my secret is hidden within me;
no one will know my name!
No, no! On your mouth,
I will say it when the light shines!

Ed il mio bacio scioglierà
il silenzio che ti fa mia!

And my kiss will dissolve
the silence that makes you mine!

Just before the climactic end of the aria, a chorus of women is heard singing in the distance:

Il nome suo nessun saprà,
E noi dovrem, ahimè, morir, morir!

No one will know his name,
and we will have to, alas, die, die!

Calaf, now certain of victory, sings:

Dilegua, o notte!
Tramontate, stelle!
Tramontate, stelle!
All’alba, vincerò!
Vincerò! Vincerò!

Vanish, o night!
Fade, you stars!
Fade, you stars!
At dawn, I will win!
I will win! I will win!

 

And today is the birthday of Cy Twombly (Edwin Parker Twombly Jr.; April 25, 1928 – July 5, 2011); painter, sculptor and photographer. He belonged to the generation of Robert Rauschenberg and Jasper Johns.

His best-known works are typically large-scale, freely-scribbled, calligraphic and graffiti-like works on solid fields of mostly gray, tan, or off-white colors. His later paintings and works on paper shifted toward “romantic symbolism”, and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted poets such as Stéphane Mallarmé, Rainer Maria Rilke and John Keats, as well as classical myths and allegories, in his works. Examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word “VIRGIL”.

Twombly’s works are in the permanent collections of modern art museums globally, including the Menil Collection in Houston, the Tate Modern in London, New York’s Museum of Modern Art and Munich’s Museum Brandhorst. He was commissioned for a ceiling at the Musée du Louvre in Paris.

Gallery

20230425_191259

Sunset

Sunset

Light and dark

Light and dark

Mac Tag

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The Lovers’ Chronicle 24 April – feel – birth of Denys Finch Hatton & Robert Penn Warren – art by Willem de Kooning

Dear Zazie,

Here is the Lovers’ Chronicle from Mac Tag.

Rhett

The Lovers’ Chronicle

Dear Muse,

no idea
where this theme came from
though, again,
they all could be about this
“Yes I see a common thread”
kinda surprised i did not go
with one of my favorite
RPW poems
i call myself a poet but
i have said storyteller
may be more accurate
“I like your tales, especially
the ones with us”
since you are here in my arms
let me tell you another story
with me and you and how
we came to feel again

© copyright 2023 mac tag/cowboycoleridge all rights reserved

recallin’ what i started to tell you,
how night-long i have written
heard from visions in their sleep
stories remember and go about
in slow, steady strokes tellin’ us
there is somethin’ here to hold
so lean into our belief, headlong
that we can touch and it comes

© copyright 2021.2023 mac tag/cowboycoleridge all rights reserved

never realized the toll
lack of touch
could have on an empath
you know i know
how many days
it has been
so little time we live,
and we learn painfully,
for desire flames only with a kindred other
echoes caught from the same voice
and defines, what shall be rejoiced

© copyright 2020 mac tag/cowboy coleridge all rights reserved

“Tell me a story,
of moments and mania.
Make it of need,
long delayed.
We will know the name
of the story, without ever
having to say it.
Tell me a story
of mutual ardor.”

then let us turn,
our fable will be
of two who know
and on each other,
gaze in belief

© copyright 2019 mac tag/cowboy coleridge all rights reserved

clingin’
to memories
commutin’
between dream
and reality,
not yet arrived
fortune give way
always more to say
but little damn time
we all come to learn
somethin’, i that i
ignored the warnin’s
and it cost dearly,
put one across on me
lost and alone
Soy yo. Me sientes?

© copyright 2018 bret mosley & mac tag/cowboy coleridge all rights reserved

not really a drinkin’ thing
more like a thinkin’ thing
cain’t stop thinkin’ about you

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

 

denysfinchhattonToday is the birthday of Denys George Finch Hatton (24 April 1887 – 14 May 1931 Voi, Kenya); aristocratic big-game hunter and the lover of Baroness Karen Blixen (also known by her pen name, Isak Dinesen), a Danish noblewoman who wrote about him in her autobiographical book Out of Africa, first published in 1937.  One of my favorite books.  In the book, his name is hyphenated: “Finch-Hatton”.  The book was made into a movie of the same name in 1985, directed by Sydney Pollack and starring Meryl Streep as Blixen and Robert Redford as Finch Hatton.  One of my all time favorite movies.

Willem de Kooning
Willem de Kooning in his studio.jpg

De Kooning in his studio in 1961

Today is the birthday of Willem de Kooning (Roatterdam April 24, 1904 – March 19, 1997 East Hampton, New York); abstract expressionist artist. He moved to the United States in 1926, and became an American citizen in 1962. On December 9, 1943, he married painter Elaine Fried.

In the years after World War II, de Kooning painted in a style that came to be referred to as Abstract expressionism or “action painting”, and was part of a group of artists that came to be known as the New York School. Other painters in this group included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart.

de Kooning (1968)

Elaine_de_Kooning_by_Timothy_Greenfield-SandersDe Kooning met his wife, Elaine Fried, at the American Artists School in New York. She was 14 years his junior. Thus was to begin a lifelong partnership affected by alcoholism, lack of money, love affairs, quarrels and separations. They were married on December 9, 1943.

It was revealed toward the end of his life that de Kooning had begun to lose his memory in the late 1980s and had been suffering from Alzheimer’s disease for some time. This revelation has initiated considerable debate among scholars and critics about how responsible de Kooning was for the creation of his late work.

Succumbing to the progress of his disease, de Kooning painted his final works in 1991. He died in 1997 at the age of 92 and was cremated.

Elaine had admired Willem’s artwork before meeting him. In 1938 her teacher introduced her to de Kooning at a Manhattan cafeteria when she was 20 and him 34. After meeting, he began to instruct her in drawing and painting. They painted in Willem’s loft at 143 West 21st Street. When they married in 1943, she moved into his loft and they continued sharing studio spaces.

Elaine and de Kooning had what was later called an open marriage; they both were casual about sex and about each other’s affairs. Elaine and Willem both struggled with alcoholism, which eventually led to their separation in 1957. While separated, Elaine remained in New York, struggling with poverty, and Willem moved to Long Island and dealt with depression. Despite bouts with alcoholism, they both continued painting. Although separated for nearly twenty years, they never divorced, and ultimately reunited in 1976.

Gallery

Woman series

Woman series

Women Singing II (1966)

Women Singing II (1966)

willemdeDeKooning.400

Marilyn Monroe

Woman III, 1953, private collection

Robert_Penn_WarrenToday is the birthday of Robert Penn Warren (Guthrie, Kentucky April 24, 1905 – September 15, 1989 Stratton, Vermont); American poet, novelist, and literary critic and was one of the founders of New Criticism.  He was also a charter member of the Fellowship of Southern Writers.  Warren founded the influential literary journal The Southern Review with Cleanth Brooks in 1935.  He received the 1947 Pulitzer Prize for the Novel for his novel All the King’s Men (1946) and the Pulitzer Prize for Poetry in 1958 and 1979. Warren is the only person to have won Pulitzer Prizes for both fiction and poetry.

So little time we live in Time,
And we
learn all so painfully,
That we may spare this hour’s term
To practice for
Eternity.

  • “Bearded Oaks”, Eleven Poems on the Same Theme (1942)

For fire flames but in the heart of a colder fire.
All voice is but echo caught from a sound-less voice.
Height is not deprivation of valley, nor defect of
desire.
But defines, for the fortunate, that
joy in
which all joys should rejoice.

  • “To a Little Girl, One Year Old, in a Ruined Fortress” (1956)

I cannot recall what I started to tell you, but at least
I can say how night-long I have lain under the stars and
Heard mountains moan in their sleep.
By daylight,
They remember nothing, and go about their lawful occasions
Of not going anywhere except in slow disintegration. At night
They remember, however, that there is something they cannot remember.
So moan. Their’s is the perfected pain of conscience that
Of forgetting the crime, and I hope you have not suffered it. I have.

  • “A Way to Love God”, New and Selected Poems 1923–1985 (1985)

Tell me a story.
In this century, and moment, of mania,
Tell me a story.
Make it a story of great distances, and starlight.
The name of the story will be Time,
But you must not pronounce its name.
Tell me a story of deep delight.

  • “Tell me A Story”

Then let us turn now — you to me
And I to you — and hand to hand
Clasp, even though our fable be
Of strangers met in a strange land
Who pause, perturbed, then speak and know
That speech, half lost, can yet amaze
Joy at the root; then suddenly grow
Silent, and on each other gaze.

  • Love’s Voice

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