The Lovers’ Chronicle 15 September – waitin’ – verse by Bocage

Dear Zazie,   Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.

Rhett

The Lovers’ Chronicle

Dear Muse,

Sad Girl Alone In Love Crying Crying Girl Waiting For Her Lover Wallpapers Hd Desktop Wallpapers - Quotes Collections

waitin’

windows open
in bed,
watchin’
behind closed eyes
images of passion
carryin’ us away
the words said
and what we felt
replayin’ the feelin’s
of together, turnin’
the visions over
and over
not wantin’ to let go
wantin’ to believe
again
i pull the sheet back
are you comin’

© copyright 2020 mac tag/cowboy coleridge all rights reserved

so many roads

walked alone

but now,
order another
french 77 and see
if i can even come close

no doubt, a connection
that speaks of a time
and place i had long
given up for dead

bring it back,
bring it back

do you know
what this means
to me

i think of you
and nothin’ beyond

© Copyright 2019 Mac tag/cowboy Coleridge all rights reserved

incapable of stayin’ in one place
prone to tenderness
but not a fan of,
which is to say
scared shitless,
of intimacy

a drink in hand
devoted to the moments,
recalled and placed at the altar
this is the vision, from where i wait

© copyright 2018 mac tag/cowboy coleridge all rights reserved

mactagwaitinawake somewhere
around three-thirty
was it a spirit,
likely not
they no longer
speak to me
as they once did

was it the moonbeam
movin’ across my bed
was it you
most likely
i arrange
my many pillows
and wait

then from afar, the music
a strange medley,
slow and mournful
beginnin’ with two or three
high notes, and descendin’
at each couplet

descendin’, almost
imperceptible
into solemnity
a smothered
enchantin’
sound
then it diminishes,
and dies away
into silence

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

Be silent; Drawn through prairies by desire

Naked body shiverin’, wave on wave

Slowly, turnin’ dreamy eyes toward you

© copyright 2015 mac tag/cowboy Coleridge all rights reserved

Manuel Maria Barbosa l’Hedois du Bocage
Manuel Maria Barbosa du Bocage.jpg

Today is the birthday of Manuel Maria Barbosa du Bocage (Setubal, Portugal; 15 September 1765 – 21 December 1805 Lisbon); Neoclassic poet, writing at the beginning of his career under the pen name Elmano Sadino.

Verse

A self-portrait in verse…

Magro, de olhos azuis, carão moreno,

Bem servido de pés, meão na altura,
Triste de facha, o mesmo de figura,

Nariz alto no meio, e não pequeno;

Incapaz de assistir num só terreno,
Mais propenso ao furor do que à ternura;
Bebendo em níveas mãos, por taça escura,
De zelos infernais letal veneno;
Devoto incensador de mil deidades
(Digo, de moças mil) num só memento,
E somente no altar amando os frades,
Eis Bocage, em quem luz algum talento;
Saíram dele mesmo estas verdades,
Num dia em que se achou mais pachorrento.

Translated from Portuguese:

Thin, blue eyes, tanned face,

His fair share of feet, middlin’ height,

Sad of face, the same of figure,

High nose in the middle, and not small;

Incapable of stayin’ in just one place,
More prone to furor than to tenderness;
Drinkin’ in his pale hands, out of a dark cup,
From hellish zeal lethal poison;
Devote incense burner to a thousand deities
(I mean, a thousand girls) in a single moment,
Lovin’ the friars only at the altar,
This is Bocage, in whom some talent shines;
From himself these truths have come,
On a day that he felt more dull.

O vento não se mexe, nem respira ;
Deixam de namorar-se os passarinhos,
Para me ouvir chorar ao som da lira.
– Soneto XXIX in “Rimas”. Tomo II

And today 15 september 1868, Arnhem. Gestorven: 17 juli 1954, Amsterdam

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The Lovers’ Chronicle 14 September – show me – verse by Francisco de Quevedo – the art and love and sorrow of Richard Gerstl

Dear Zazie,   Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  What first kiss special memories do you have?   Rhett

The Lovers’ Chronicle

Dear Muse,

away with pretension,
tissues of falsehood
give me the wild thrill
of the soul-breathin’ glance,
or the rapture which dwells
on the lips of a first kiss
you, in whom inspiration blooms,
whose passions are made for this
from what verse, what life will flow

© copyright 2020 mac tag/cowboy coleridge all rights reserved

to find who i am
to find in you
we are our kind
sketches of what
was thought lost
hum once more
fascination blooms
with shared minds
remembrance
which dwells
on your lips
blest inspiration, sonnets flow,
in each breathin’ glance
could you ever have known
that this would come

© copyright 2019 mac tag/cowboy coleridge all rights reserved

yesterday, tomorrow, today
i am and was and will be
because all that matters
must be said

without stoppin’
undress me
of all that was
and i will for you

show me
and i will show you
away with ordinary
join me on the journey
that matters not
where we go

for we will be whole

© copyright 2018 mac tag/cowboy coleridge all rights reserved

have you been intimate
with beauty and sorrow
then we are kindred
nothin’ else matters
aside from beauty
and sorrow

and i will only ever
ask one thing of you
show me, share with me
your beauty and sorrow

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

Remembrance

Age has chilled my blood
And my pleasures are past
If nothin’ else
I will have this
My dearest remembrance
Will be till the last
The memory
Of that first kiss

© copyright 2012 mac tag/Cowboy Coleridge all rights reserved

Today I was thinkin’ about a very special first kiss, which occurred on this day and a first kiss that never happened.  Jett told me about a conversation he had with his great unrequited love.  He said he remembered tellin’ her that first kisses were his favorite memories from past relationships.  She told him she understood, but she preferred the prelude to the kiss;  the build-up, the “playing it out in your head” dozens of times before it happens, the “you know it’s going to happen, it’s just a matter of time.”  They never had that first kiss.  It is Jett’s biggest regret.

The Poem of the Day comes to us from Lord Byron:

The First Kiss Of Love

Away with your fictions of flimsy romance;
Those tissues of falsehood which folly has wove!
Give me the mild beam of the soul-breathing glance,
Or the rapture which dwells on the first kiss of love.

Ye rhymers, whose bosoms with phantasy glow,
Whose pastoral passions are made for the grove;
From what blest inspiration your sonnets would flow,
Could you ever have tasted the first kiss of love!

If Apollo should e’er his assistance refuse,
Or the Nine be deposed from your service to rove,
Invoke them no more, bid adieu to the muse,
and try the effect of the first kiss of love.

I hate you, ye cold compositions of art!
Though prudes may condemn me, and bigots reprove,
I court the effusions that spring from the heart,
Which throbs with delight to the first kiss of love.

Your shepherds, your flocks, those fantastical themes,
Perhaps may amuse, yet they never can move:
Arcadia displays but a region of dreams:
What are visions like these to the first kiss of love?

Oh! cease to affirm that man, since his birth,
From Adam till now, has with wretchedness strove,
Some portion of paradise still is on earth,
And Eden revives in the first kiss of love.

When age chills the blood, when our pleasures are past-
For years fleet away with the wings of the dove-
The dearest remembrance will still be the last,
Our sweetest memorial the first kiss of love.

The Song of the Day is “First Kiss” by Ryan O’Shaughnessy. 

 

Francisco de Quevedo
Quevedo (copia de Velázquez).jpg

Francisco de Quevedo, Juan van der Hamen? after a painting by Diego Velázquez

Today is the birthday of Francisco Gómez de Quevedo y Santibáñez Villegas (Madrid; 14 September 1580 – 8 September 1645 Villanueva de los Infantes); nobleman, politician and writer of the Baroque era.  Along with his lifelong rival, Luis de Góngora, Quevedo was one of the most prominent Spanish poets of the age.  His style is characterized by what was called conceptismo.  This style existed in stark contrast to Góngora’s culteranismo.

Verse

Ayer se fue, mañana no ha llegado,
Hoy se está yendo sin parar un punto;
Soy un fue, y un seré y un es cansado 

Pues amarga la verdad
quiero echarla de mi boca
Un nuevo corazón, un hombre nuevo
ha menester, señor, el alma mía.
¡Desnúdame de mí, que ser podría
que a tu piedad pagase lo que debo!
(soneto “Un nuevo corazón, un hombre nuevo…”)

And today is the birthday of Richard Gerstl (Austria; 14 September 1883 – 4 November 1908); painter and draughtsman known for his expressive psychologically insightful portraits, his lack of critical acclaim during his lifetime, and his affair with the wife of Arnold Schoenberg which led to his suicide.

Around 1907, he began to associate with composers Arnold Schoenberg and Alexander von Zemlinsky, who lived in the same building at the time. Gerstl and Schoenberg developed a mutual admiration based upon their individual talents. Gerstl apparently instructed Schoenberg in art.

During this time, Gerstl moved into a flat in the same house and painted several portraits of Schoenberg, his family, and his friends. These portraits also included paintings of Schoenberg’s wife Mathilde, Alban Berg and Zemlinsky. His highly stylized heads anticipated German expressionism and used pastels as in the works by Oskar Kokoschka. Gerstl and Mathilde became extremely close and, in the summer of 1908, she left her husband and children to travel to Vienna with Gerstl. Schoenberg was in the midst of composing his Second String Quartet, which he dedicated to her. Mathilde rejoined her husband in October.

Distraught by the loss of Mathilde, his isolation from his associates, and his lack of artistic acceptance, Gerstl entered his studio during the night of 4 November 1908 and apparently burned every letter and piece of paper he could find. Although many paintings survived the fire, it is believed that a great deal of his artwork as well as personal papers and letters were destroyed. Other than his paintings, only eight drawings are known to have survived unscathed. Following the burning of his papers, Gerstl hanged himself in front of the studio mirror and somehow managed to stab himself as well. He was 25.

The incident had a significant impact on Arnold Schoenberg and his “drama with music” (i.e., opera) Die Glückliche Hand is based on these events.

Gallery

Portrait of Henryka Cohn, 1908

Portrait of Henryka Cohn, 1908

Arnold Schoenberg

Richard_Gerstl_-_Lake_Traun_with_Mountain_Sleeping_Greek_Woman_-_Google_Art_Project

Lake Traun with Mountain Sleeping Greek Woman

 

Nude in Garden

Nude in Garden

Richard_Gerstl_(37760489525)

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The Lovers’ Chronicle 13 September – what time is love – photography by Édouard Boubat – song by Bret Mosley

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Has it ever been time for love for you?  Rhett

The Lovers’ Chronicle

Dear Muse,

what time is it
comin’ into focus
with purpose
just had to learn
to trust this vision
to understand at last
determination now,
to share the stories,
the verse, the art
the feelin’s
to make it all matter
it is a fine question
is the answer now
has it come for us

© copyright 2020 mac tag/cowboy coleridge all rights reserved

away with fictions,
tissues of never-could-be
so, yes, this is sauce
for the gander…
what were you so
afraid of
you said you just
wanted to let go,
to feel alive
and then we were there
ready to fall and fly
but you left
why
you can never understand
what was denied us

© copyright 2019 mac tag/cowboy coleridge all rights reserved

what time is it

marked by confusion,
almost always,
without apparent purpose

just had to learn
to trust this vision
to understand at last

determination now,
to give the stories,
the songs, the art
some kinda form

to make it all matter

the time is now

© copyright 2018 mac tag/cowboy coleridge all rights reserved

a fine evenin’
a walk without
any definite purpose
a trail that loses itself
at the gate of a cemetery
near the edge of a mesa

buffalo grass, metal angel statue,
granite tombs, rocks, wind,
and a forty mile view
surroundin’ us on all sides

we sit on a tomb
and there, seated
in the dyin’ sunlight,
while the valley
and plains below
git lost in shadow,
we talk together

the pure air playin’ round us,
the magnificent landscape
beneath our feet
impart serenity
to thoughts

we stay up there late
talkin’ of what matters…
of beauty and sorrow
and as of old, we talk
of partin’,

may it never happen

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

Bret you are right
it is a fine question
one i asked regularly
for about 40 years

on more than one
occasion, i thought
it was time, but no

reckon it was not
the right question,
for me anyhow

now i am asked out
and i just wanna
spin some vinyl,
and spin the totem

may it never wobble

© copyright 2016 Mac tag/cowboy coleridge all rights reserved
 Never so pretty
as in the mornin’
Awakened fresh with
the world every day
© copyright 2015 Mac tag/cowboy coleridge all rights reserved
Édouard Boubat
Edouard Boubat 1943.jpg

Boubat in 1943

Today is the birthday of Édouard Boubat (born Montmartre, Paris 13 September, 1923 – died Paris 30 June 1999); photojournalist and art photographer.

He studied typography and graphic arts at the École Estienne and worked for a printing company before becoming a photographer. In 1943 he was subjected to service du travail obligatoire, forced labour of French people in Nazi Germany, and witnessed the horrors of World War II. He took his first photograph after the war in 1946 and was awarded the Kodak Prize the following year. He travelled the world for the French magazine Réalités, where his colleague was Jean-Philippe Charbonnier, and later worked as a freelance photographer. French poet Jacques Prévert called him a “peace correspondent” as he was humanist, apolitical and photographed uplifting subjects. His son Bernard Boubat is also a photographer.

Gallery

les amoureux

les amoureux

Lella, Bretagne, 1947.
Les amoureux de Paris III, 1962

Les amoureux de Paris III, 1962

For the song of the day we turn once again to our friend Bret Mosley (Bretmosley.com) and his song Lawrence KS, in which you find the question of the day.

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The Lovers’ Chronicle 12 September – feelin’ – The Shumanns & The Brownings – art by Carl Eytel

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Are you dedicated to the one?  Is someone dedicated to you?  Rhett

The Lovers’ Chronicle

Dear Muse,

how can i pause
the spell you cast
upon me
i want the thoughts
of you to stop invadin’,
hijackin’ my mind
the shape of a cloud
a song
a taste
a quiver
random sensory impulses
all lead back to you
i want
to give in to the urges
to share each thought
to embrace, this, you

© copyright 2020 mac tag/cowboy coleridge all rights reserved

near or far,
the verse appears
in this place
where we feel again
and the past
does not linger
and life resumes
so quickly, how can
we know how far
it will go and what
imprint will we leave
shall we give in
and let it take us
where it will
for we cannot know
how long it lasts

© copyright 2019 mac tag/cowboy coleridge all rights reserved

so much it hurts
“Tell me what you’re writing.
I so want to know, please.”
oh you know, the usual
all about you

but of course
the verse never does justice
however i form and shape it

when i look back,
in every gesture,
every letter,
every silence,
you have been
entirely you
and i would not change
one word, one look

© copyright 2018 mac tag/cowboy coleridge all rights reserved

play, play on for me
i shall remain here
all evenin’ and listen

the first hesitatin’ notes
murmured faintly
in the quiet air
of golden twilight
in it, the sighin’
of the wind
& heartrendin’ plaints

i listen, lyin’ here
eyes half shut,
lookin’ out
upon the sun
dyin’ over the plains

a somewhat melancholy feelin’
that my past life and it’s places
are recedin’ in the rearview
at this moment of nightfall
i feel at home

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

A vision, out there on the waves

Sail flyin’ white under the sun

Sweet one on whom light has broken

© copyright 2015 mac tag/cowboy Coleridge all rights reserved

Today is a good day here at TLA.  We have two love stories to share with you.

Robert_u_Clara_Schumann_1847On this day in 1840 composer Robert Schumann married German pianist Clara Wieck.  In the year 1840, the immensely talented Clara was eagerly awaitin’ the eve of her 21st birthday, when she would be free to legally marry the 30-year old Schumann. The couple had hoped to wed years earlier, but the match was bitterly opposed by Clara’s father.  Clara and Robert kept in touch by letters, which were sometimes intercepted by Papa Wieck.  Schumann, for his part, buried himself in his music, composin’ furiously until Clara would come of age.

Early in 1840 Clara wrote, “Dear Robert: I love you so much it hurts my heart. Tell me what you’re writing. I would so love to know, oh please, please. A quartet, an overture — even perhaps a symphony? Might it by any chance be — a wedding present?”  When the marriage finally took place, just as she had guessed, Robert presented Clara with a musical weddin’ present: not a quartet, overture, or symphony, but a song cycle, “Myrten,” (Myrtle) consisting of 26 songs, which were published as his Opus 25.  The openin’ song, entitled “Widmung” (Dedication), is a settin’ of a Friedrich Rückert poem which contains this refrain: “You are my heart and soul, my rapture and pain, you are the world I live in and the heaven I aspire to, my good angel, my better self.”

elizabethbarrettbrowningthomas_B._Read_(American,_1822-1872)_-_Portraits_of_Elizabeth_Barrett_Browning_and_Robert_BrowningAnd on this day in 1846, Elizabeth Barrett and Robert Browning eloped.  They had been courtin’ in secret for a year and a half, through the mail, unbeknownst to her father.  It had begun when Browning wrote Barrett a gushin’ fan letter, sayin’, “I love your verses with all my heart, dear Miss Barrett … and I love you too.”  She wrote a long letter in return, thankin’ him and askin’ him for ways she might improve her writin’. Barrett was an invalid, and was reliant on morphine, and it was some months before Browning convinced her to meet face to face.  Barrett’s father did not like Browning, and viewed him as a fortune hunter.

On the day of the weddin’, Browning posted another letter to Barrett, which read, “Words can never tell you, however, — form them, transform them anyway, — how perfectly dear you are to me — perfectly dear to my heart and soul. I look back, and in every one point, every word and gesture, every letter, every silence — you have been entirely perfect to me — I would not change one word, one look.”  They were married at St. Marylebone Parish Church, and Barrett returned to her father’s house, where she stayed for one more week before she ran off to Italy with Browning.  She never saw her father again.  After the weddin’, she presented Browning with a collection of poems she had written durin’ their courtship.  It was published in 1850 as Sonnets from the Portuguese.

Tough choice for the poem of the day between Rückert and the Brownings, but I think we will go with Rückert because of the tie-in with Schumann’s song.  The poem of the day originally an unnamed poem from a collection of poems called Liebesfrühling (Dawn of Love):

Dedication

You are my soul, you are my heart,
you are my rapture, you are my pain,
you are my world in which I live,
and the heaven I aspire to
you are my grave, into which
I always put all my grief.
You are rest, you are peace,
you are sent to me from heaven.
That you love me makes me more worthy,
Your glance has transfigured me,
you have me loving beyond myself,
my good spirit, my better self!

For the Song of the Day, we found two versions of Schumann’s “Widmung”; one featurin’ the incomparable Jessye Norman and an instrumental version featurin’ Evgeny Kissin.   

Two examples of dedication.  Dedication to a true love.  Dedication I tried to give.  Dedication I wish I could still give to you.

 

Carl Eytel
Carl Eytel, artist, sketching on his pad during his trip with George Wharton James to the Colorado River, ca.1900 (CHS-4299).jpg

Eytel sketching – during his trip with George Wharton James

Today is the birthday of Carl Eytel (Maichingen, Böblingen, Kingdom of Württemberg; September 12, 1862 – September 17, 1925 Banning, California); artist who built his reputation for paintings and drawings of desert subjects in the American Southwest.  Immigrating to the United States in 1885.  Wanting to be a cowboy, he worked as a cowhand in the San Joaquin Valley and he eventually settled in Palm Springs in 1903.  Living in small cabins he built himself, Palm Springs remained his home.  Eytel often walked on his travels, covering 400 miles in the Colorado Desert on foot.  On one of his travels he was nearly lynched as a horse thief and in 1918, during a trip to northern Arizona, he was threatened with lynching as a German spy.  With an extensive knowledge of the Sonoran Desert, Eytel traveled with author George Wharton James as he wrote the successful Wonders of the Colorado Desert, and contributed over 300 drawings to the 1908 work.  While he enjoyed success as an artist, he lived as an ascetic and eventually died in poverty.  Eytel’s most important work, Desert Near Palm Springs, hangs in the History Room of the California State Library.

Gallery

Rio Grande Pueblo

Rio Grande Pueblo

 from J. Smeaton Chase Our Araby (1920) 

Desert near Palm Springs
Desert scene with cattle and palm trees

Desert scene with cattle and palm trees

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The Lovers’ Chronicle 11 September – a trace – art by Thomas Hill & Stephen Etnier – birth of Pierre de Ronsard, O. Henry & D.H. Lawrence – premiere of The Rake’s Progress by Igor Stravinsky

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Who is the vision of your dreams?  Do you know unrequited love?  Rhett

The Lovers’ Chronicle

Dear Muse,

did i dream you
once ago
i have dreamed
women before
comin’ into my life
but i never met
anyone like you
was it just
that we both needed
to become who we are
before we could meet
i miss
your smilin’ eyes
the feel of your skin,
your body movin’
with mine
timeless embrace
oh my
© copyright 2020 mac tag/cowboy coleridge all rights reserved

it is so,
that those who cannot,
never find it
and those that can,
never have to seek

realize, too late for sure,
that the emotional self
recovers from loss
but only in appearance

eventually the wound
will make itself felt
as an ache that deepens
and fills everything

only then
after recovery
and forgettin’
can the worst
be faced

© copyright 2018 mac tag/cowboy coleridge all rights reserved

a deluge of rain
skies darken
thunder booms
and in the noise
all appears to me
an abode
of gloomy sadness

on this night
sleep comes
mercifully

in the mornin’
sunlight pierces
through the shutters
in our room,
where night lingers still,
tracin’ a vague outline
of you lyin’ here

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

I dreamed I dream of you
but it came with pain and dole
for the vision of my dream
is not the truth

© copyright 2012 mac tag/cowboy Coleridge all rights reserved

 

 

Portrait of Ronsard by an unknown artist, ca. 1620.

Today is the birthday of Pierre de Ronsard (Couture-sur-Loir, Kingdom of France; 11 September 1524 – 27 December 1585 La Riche, Kingdom of France); poet or, as his own generation in France called him, a “prince of poets”.

Quand vous serez bien vieille, au soir, à la chandelle,
Assise auprès du feu, dévidant et filant,
Direz, chantant mes vers, en vous émerveillant:
“Ronsard me célébrait du temps que j’étais belle.”

  • When you are very old, at evening, by candelight,
    Sitting near the fire, spooling and spinning the wool,
    You will say, in wonder, as you sing my verses,
    “Ronsard praised me in the days when I was beautiful.”

    • “Quand vous serez bien vieille, au soir, à la chandelle”, Sonnets pour Hélène (1578), ll. 1-4
  • Cueillez dès aujourd’hui les roses de la vie.
    • Gather today the roses of life.
      • “Quand vous serez bien vieille, au soir, à la chandelle,” l. 14
Thomas Hill
Thomas Hill (artist).jpg

Thomas Hill

Today is the birthday of Thomas Hill (Birmingham, England September 11, 1829 – June 30, 1908 Raymond, California); artist of the 19th century. He produced many paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. He is buried at Mountain View Cemetery in Oakland, California.

Gallery

« Bridal Veil Falls, Yosemite Valley » (1892)

« Bridal Veil Falls, Yosemite Valley » (1892)

Indian by a lake in a majestic California landscape

 Mount Lafayette in Winter (1870)

 

Great Canyon of the Sierra, Yosemite (1872)

The Last Spike (1881)

O. Henry
William Sydney Porter by doubleday.jpg

Portrait of O. Henry, by W. M. Vanderweyde, 1909

Today is the birthday of O. Henry (William Sydney Porter; Greensboro, North Carolina; September 11, 1862 – June 5, 1910 New York City); short story writer.  His short stories are known for their wit, wordplay, warm characterization, and surprise endings.

In Austin, Texas, Porter met and began courting Athol Estes, then seventeen years old and from a wealthy family. Her mother objected to the match because Athol was ill, suffering from tuberculosis. On July 1, 1887, Porter eloped with Athol to the home of Reverend R. K. Smoot, where they were married.  Athol died from tuberculosis on July 25, 1897.  Porter married again in 1907 to childhood sweetheart Sarah (Sallie) Lindsey Coleman, whom he met again after revisiting his native state of North Carolina.  Sarah Lindsey Coleman was herself a writer and wrote a romanticized and fictionalized version of their correspondence and courtship in her novella Wind of Destiny.

Porter was a heavy drinker, and his health deteriorated markedly in 1908, which affected his writing.  In 1909, Sarah left him, and he died on June 5, 1910, of cirrhosis of the liver, complications of diabetes, and an enlarged heart.  After funeral services in New York City, he was buried in the Riverside Cemetery in Asheville, North Carolina.

D. H. Lawrence
D H Lawrence passport photograph.jpg

Today is the birthday of D. H. Lawrence (David Herbert Richards Eastwood, Nottinghamshire; 11 September 1885 – 2 March 1930 Vence, France); novelist, poet, playwright, essayist, literary critic and painter.  His collected works, represent an extended reflection upon the dehumanising effects of modernity and industrialisation.  Lawrence explored emotional health, vitality, spontaneity and instinct.

Lawrence endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his “savage pilgrimage”.  At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents.  Later, his works were championed, placing much of Lawrence’s fiction within the canonical “great tradition” of the English novel.

In March 1912 Lawrence met Frieda Weekley (née von Richthofen), with whom he was to share the rest of his life.  Six years older than her new lover, she was married to Ernest Weekley, Lawrence’s former modern languages professor at University College, Nottingham, and had three young children.  She eloped with Lawrence to her parents’ home in Metz, a garrison town then in Germany near the disputed border with France.  Lawrence left for a small hamlet to the south of Munich, where he was joined by Frieda for their “honeymoon”, later memorialised in the series of love poems titled Look! We Have Come Through (1917).

From Germany they walked southwards across the Alps to Italy, a journey that was recorded in the first of his travel books, a collection of linked essays titled Twilight in Italy and the unfinished novel, Mr Noon.

Lawrence and Frieda returned to Britain in 1913 for a short visit, during which they encountered and befriended critic John Middleton Murry and New Zealand-born short story writer Katherine Mansfield.

Lawrence and Weekley soon went back to Italy, staying in a cottage in Fiascherino on the Gulf of Spezia.  Here he started writing the first draft of a work of fiction that was to be transformed into two of his better-known novels, The Rainbow and Women in Love.  While writing Women in Love in Cornwall during 1916–17, Lawrence developed a strong and possibly romantic relationship with a Cornish farmer named William Henry Hocking.  In a letter written during 1913, he writes, “I should like to know why nearly every man that approaches greatness tends to homosexuality, whether he admits it or not …” He is also quoted as saying, “I believe the nearest I’ve come to perfect love was with a young coal-miner when I was about 16.”

Eventually, Frieda obtained a divorce from Weekley.  The Lawrence’s returned to Britain shortly before the outbreak of World War I and were married on 13 July 1914.  During this period he finished writing Women in Love in which he explored the destructive features of contemporary civilization through the evolving relationships of four major characters as they reflect upon the value of the arts, politics, economics, sexual experience, friendship and marriage.  The novel is a bleak, bitter vision of humanity and proved impossible to publish in wartime conditions.  Not published until 1920, it is now widely recognised as an English novel of dramatic force and intellectual subtlety.

In late February 1922 the Lawrences left Europe behind with the intention of migrating to the United States.  They sailed in an easterly direction, first to Ceylon and then on to Australia.

The Lawrences finally arrived in the US in September 1922.  Here they encountered Mabel Dodge Luhan, a prominent socialite, and considered establishing a utopian community on what was then known as the 160-acre (0.65 km2) Kiowa Ranch near Taos, New Mexico.  After arriving in Lamy, New Mexico via train, they bought the property, now called the D. H. Lawrence Ranch, in 1924, in exchange for the manuscript of Sons and Lovers.  He stayed in New Mexico for two years, with extended visits to Lake Chapala and Oaxaca in Mexico.

A brief voyage to England at the end of 1923 was a failure and he soon returned to Taos, convinced that his life as an author now lay in America.  However, in March 1925 he suffered a near fatal attack of malaria and tuberculosis while on a third visit to Mexico.  Although he eventually recovered, the diagnosis of his condition obliged him to return once again to Europe.  He was dangerously ill and the poor health limited his ability to travel for the remainder of his life.  The Lawrences made their home in a villa in Northern Italy, living near Florence while he wrote The Virgin and the Gipsy and the various versions of Lady Chatterley’s Lover (1928).  The latter book, his last major novel, was initially published in private editions in Florence and Paris and reinforced his notoriety.

Lawrence continued to write despite his failing health.  In his last months he wrote numerous poems, reviews and essays, as well as a robust defence of his last novel against those who sought to suppress it.  After being discharged from a sanatorium, he died on 2 March 1930 at the Villa Robermond in Vence, France, from complications of tuberculosis.  Frieda Weekley commissioned an elaborate headstone for his grave bearing a mosaic of his adopted emblem of the phoenix.  After Lawrence’s death, Frieda lived with Angelo Ravagli on the ranch in Taos and eventually married him in 1950.  In 1935 Ravagli arranged, on Frieda’s behalf, to have Lawrence’s body exhumed and cremated and his ashes brought back to the ranch to be interred there in a small chapel amid the mountains of New Mexico

Verse

 Those that go searching for love
only make manifest their own lovelessness,
and the loveless never find love,
only the loving find love,
and they never have to seek for it.

  • “Search for Love” in: The Works of D. H. Lawrence, Wordsworth Editions, 1994, p. 552

Prose

  • And dimly she realized one of the great laws of the human soul: that when the emotional soul receives a wounding shock, which does not kill the body, the soul seems to recover as the body recovers. But this is only appearance. It is really only the mechanism of the reassumed habit. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.
    • Lady Chatterley’s Lover (1928)
  • Folks should do their own fuckin’, then they wouldn’t want to listen to a lot of clatfart about another man’s.
    • Lady Chatterley’s Lover (1928)
  • I believe in being warm-hearted. I believe especially in being warm-hearted in love, in fucking with a warm heart. I believe if men could fuck with warm hearts, and the women take it warm-heartedly, everything would come all right. It’s all the cold-hearted fucking that is death and idiocy.
    • Lady Chatterley’s Lover (1928)

 

And today is the birthday of Stephen Morgan Etnier (York, Pennsylvania; September 11, 1903 – November 7, 1984 Harpswell, Maine); realist painter, painting for six decades. His work is distinguished by a mixture of realism and luminism, favoring industrial and working scenes, but always imbued with atmospheric light. Geographically, his career spanned the length of the eastern Atlantic and beyond.

Gallery

Three islands

Three islands

Hogarth's third painting, showing Tom experiencing a brothel in London

Hogarth’s third painting, showing Tom experiencing a brothel in London

And today is the premier day of The Rake’s Progress,an English-language opera in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake’s Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition.

The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: “For idle hearts and hands and minds the Devil finds work to do.”

Mac Tag

No form of love is wrong, so long as it is love, and you yourself honour what you are doing. Love has an extraordinary variety of forms! And that is all that there is in life, it seems to me.D.H. Lawrence

Be still when you have nothing to say; when genuine passion moves you, say what you’ve got to say, and say it hot. – D.H. Lawrence

When you are sad,

The mother of the wind mourns too,

And her old wind that no mirth ever had,

Wanders and wails before my heart most true.

W.B. Yeats

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The Lovers’ Chronicle 10 September – fallin’ – premiere of Benvenuto Cellini by Hector Berlioz – art by Marianne von Werefkin – verse by H.D.

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Are your nights without someone?  Rhett

The Lovers’ Chronicle

Dear Muse,

perhaps there is

after all

moments sought

of beauty, grace,
and i now know
i will only find
peace in the end

in your presence

let us live, love,

and say it well
in verse
let us spread
it across the canvas
of what we know,
what we see

in this vision

each other

© copyright 2020 mac tag/cowboy coleridge all rights reserved

there is no
ever after here
got some
for awhile
and while it lasts,
but that is all

shoulda known all along
that B. B. was right,
long gone for sure

and for those of you
who say i am wrong,
that i should not
give up hope,
i say…

sadness is borne of ignorin’
that which is inevitable

so there will be no despairin’
of what was meant to be
for this is where i belong

© copyright 2018 mac tag/cowboy coleridge all rights reserved

“Your vulnerability
is freaking me out.
Is it real?”
it is the only thing
i have left that is

“Remember when you told me
when you were young
and you met someone new,
you thought you were flying,
but you were really falling?”

“And didn’t you tell me
there were times
when you knew
you were going to fall,
but you tried to fly
because the falling
felt like flying?”

oh, I see where this is goin’…
“Well come on!
Fly you big dummy!”

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

Today is the premiere day of Benvenuto Cellini, an opera semiseria in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz’s operas, premiered at the Académie Royale de Musique (Salle Le Peletier) on this day in 1838. The story is inspired by the memoirs of the Florentine sculptor Benvenuto Cellini, although the elements of the plot are largely fictional. The opera is technically very challenging and rarely performed. However, the overture to the opera sometimes features in symphony orchestra programs, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.

 

Marianne von Werefkin
Werefkin, Marianne von - Selfportrait I - Google Art Project.jpg

Self portrait, circa 1910

Today is the birthday of Marianne von Werefkin (Tula, Russian Empire; 10 September [O.S. 29 August] 1860, Tula, Russia– 6 February 1938, Ascona, Switzerland), born Marianna Wladimirowna Werewkina; Expressionist painter.

In 1892 she met Alexej von Jawlensky, who desired to be her protégé, and in 1896 she, Jawlensky, and their servant moved to Munich.  For the sake of Jawlensky’s painting, Werefkin interrupted her painting for almost ten years.  She initiated a Salon in Munich which soon became a center of lively artistic exchange.

At the outbreak of the First World War, Werefkin and Jawlensky immigrated to Switzerland, near Geneva.  They later moved to Zurich.  By 1918, they had separated, and Werefkin moved alone to Ascona, on Lago Maggiore where she painted many colorful, landscapes in an expressionist style.

Werefkin died in Ascona on 6 February 1938.  She was buried in the Russian graveyard in Ascona.

Gallery

20220910_213157

Conversation

Conversation

Women in black

Women in black

The Dancer Sacharoff

The Dancer Sacharoff

hdHilda__H.D.__DoolittleAnd today is the birthday of HildaH.D.Doolittle (Bethlehem, Pennsylvania; September 10, 1886 – September 27, 1961); poet, novelist, and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington.  She published under the pen name of H.D.

H.D. married Aldington in 1913.  After he enlisted in the army, the couple became estranged, and he reportedly took a mistress in 1917.  H.D. became involved in a close but platonic relationship with D. H. Lawrence.  She moved into a cottage in Cornwall with the composer Cecil Gray, a friend of Lawrence and became pregnant with Gray’s child, however, by the time she realised she was expecting, the relationship had cooled and Gray had returned to live in London.  Close to the end of the war, H.D. met the wealthy English novelist Bryher (Annie Winifred Ellerman).  They lived together until 1946, and although both took numerous other partners, Bryher remained her lover for the rest of H.D.’s life.

Verse

 So you may say,
Greek flower; Greek ecstasy
reclaims forever
one who died
following intricate song’s
lost measure.

Let Zeus Record

For one moment seek
a lesser beauty
and a lesser grace,
but you will find
no peace in the end
save in her presence.

  • Amaranth.

Be indigestible, hard, ungiving.
so that, living within,
you beget, self-out-of-self,
selfless,
that pearl-of-great-price.

  • The Walls Do Not Fall.

The reason is:
rats leave the sinking ship
but we…
we…
didn’t leave,
so the ship
didn’t sink,
and that’s madness,
Lear’s song
that’s Touchstone’s forest jest,
that’s swan of Avon logic.

  • May 1943.

We don’t have to know,
only to be:
let go the jumble of worn words,
reason and vanity.

  • Star by Day.

 

What does a woman see in another woman that she doesn’t see in a man: tenderness. – Sylvia Plath

Let me live, love, and say it well in good sentences.Sylvia Plath

A poet, when he is growing old, will ask himself if he cannot keep his mask and his vision without new bitterness, new disappointment.W.B. Yeats

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The Lovers’ Chronicle 9 September – weary kind – she will have your eyes – verse by Adelaide Crapsey & Cesare Pavese – art by Israel Abramofsky

Dear Zazie,

Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Do you have her eyes?  Rhett

The Lovers’ Chronicle

Dear Muse,

the old winds that blew
when sorrow was
what to do
but now these be
three salient things:
findin’ the words…the hour
held in ardor…your mouth
just kissed
listen
with all you have
feel
these hands
amazed
with what
they are holdin’
together
uncover our eyes

© copyright 2020 mac tag/cowboy coleridge all rights reserved

created from the bottom,
thus i am dearer to,

and i finally understand

the pain begins again

dark in the mornin’
passin’

without the light of your eyes

and the virtue of the two lovers

in front of each other, reachin’ out

is there anything left

but to clutch in ardor

© copyright 2019 mac tag/cowboy coleridge all rights reserved

the old lines
thrown around
with little regard
for right or bad
oblivious
to the unfoldin’ chaos

what shall be written
for those that weep,
for the weary kind

these be
three salient things…
the ensuin’ verse… the hour
after first light… your mouth,
just kissed

© copyright 2018 mac tag/cowboy coleridge all rights reserved

the trouble with the weary kind
all the aces have been played
days and nights feel the same
nothin’ left to give but a song

you can try and try
or convince yourself
that you tried
but it ain’t no good
this is no place
for the weary kind

if i needed you
would you come
for a song
for an orison
i wrote for you

at least i know i will be able
to write for the rest of my life
it will take that long
to write somethin’
worthy for you

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

She Will Have Your Eyes

Life and death
Did you come by way
of naked urges
your thrill endures
Blood of spring
– sea or cloud –
your appearance,
breaks the binds
Starts the pain
It is dark in the mornin’
passin’
without the light of your eyes

Mac tag translation of Cesare Pavese, Verrà la morte e avrà i tuoi occhi (see below)

 

Adelaide Crapsey
Adelaide_Crapsey,_portrait

Adelaide Crapsey

Today is the birthday of Adelaide Crapsey (Brooklyn; September 9, 1878 – October 8, 1914 Rochester); poet.  Her interest in rhythm and meter led her to create a variation on the cinquain (or quintain), a five-line form of twenty-two syllables influenced by the Japanese haiku and tanka.  Her cinquain has a generally iambic meter and consists of two syllables in the first and last lines and four, six and eight syllables in the middle three lines.

Verse 

  • The old
    Old winds that blew
    When chaos was, what do
    They tell the clattered trees that I
    Should weep?

    • “Night Winds”.
  • These be
    Three silent things:
    The falling snow…the hour
    Before the dawn…the mouth of one
    Just dead.

    • Triad.
  • Listen.
    With faint dry sound,
    Like steps of passing ghosts,
    The leaves, frost-crisp’d, break from the trees
    And fall.

    • November Night.
  • I know
    Not these my hands
    And yet I think there was
    A woman like me once had hands
    Like these.

    • Amaze

With night’s
Dim veil and blue
I will cover my eyes,
I will bind close my eyes that are
So weary.

Today is the birthday of Israel Abramofsky (Kiev; September 10, 1888 – January 16, 1975); artist, who trained in Paris and settled in the United States, known for his landscape works and works depicting Jewish life in Eastern Europe.

Gallery

woman and mandolin

woman and mandolin

Reclining Nude

Reclining Nude

 

Cesare Pavese
Cesare pavese.jpg

Cesare Pavese, il poeta

And today is the birthday of Cesare Pavese (Santo Stefano Belbo; 9 September 1908 – 27 August 1950 Turin); poet, novelist, literary critic and

Dowling and Pavese

Dowling and Pavese

translator.  Perhaps among the major Italian authors of the 20th century in his home country.  Depression, the failure of a brief love affair with the actress Constance Dowling, to whom his last novel and one of his last poems (“Death will come and she’ll have your eyes”) were dedicated, and political disillusionment led him to his suicide by an overdose of barbiturates.  That same year he won the Strega Prize for La Bella Estate, comprising three novellas: ‘La tenda’, written in 1940, ‘Il diavolo sulle colline'(1948) and ‘Tra donne sole’ (1949).

Verse

 Lavorare stanca

L’ho creata dal fondo di tutte le cose
che mi sono più care, e non riesco a comprenderla

Verrà la morte e avrà i tuoi occhi

Sei la vita e la morte.

Sei venuta di marzo

sulla terra nuda –

il tuo brivido dura.

Sangue di primavera

– anemone o nube –

il tuo passo leggero

ha violato la terra.

Ricomincia il dolore.

È buio il mattino
che passa
senza la luce dei tuoi occhi

L’amore ha la virtù di denudare non i due amanti l’uno di fronte all’altro, ma ciascuno dei due davanti a sé.

Mac Tag

“I feel that she is depressed, but I’m more depressed still, and I can’t say anything to her – there’s nothing to say. I’m just cold, and I clutch at any work with ardor.”

Leo Tolstoy

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The Lovers’ Chronicle 8 September – to be, or not to be – art by Ozias Humphry – SOD by Bret Mosley

Dear Zazie,

Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Rhett

The Lovers’ Chronicle

Dear Muse,

oh, decidedly to be
turns out
there is a way
and a one
“Mi corazon, mi vida, mi amor”
words i have longed to hear
this vision created,
now complete
with you to share
whether near or far
nothin’ else matters
on this special day,
on any day, Anna
mon cœur, ma vie, mon amour

© copyright 2021 mac tag/cowboy coleridge all rights reserved

mactagtobe (2)oh, pre-you
decidedly
not to be
since you,
beginnin’ to see
perhaps to be
no secret here
the words
have ever been
not even tryin’
to figure out why
the convergence
took so long
perhaps that serves
to sharpen the feelin’s
like fire
of heart and mind
will we be

© copyright 2020 mac tag/cowboy coleridge all rights reserved

finishin’ off drinks
and feelin’s
line by line
at Bar Marmot
everything written
paved the way
for where i am
wrestlin’ with what matters
and why comes circlin’ ’round
again, and found it ain’t too bad
“I’m starting to worry about you.”
it is ok, swear, there is comfort here

© copyright 2019 mac tag/cowboy coleridge all rights reserved

palpable angst
somethin’ we know
a helluva lot about
swear to sunny jesus,
hardest damn thing
to figure out
strugglin’ with whether
to be, or not to be

some, like me,
are wired for it
had my dance
now done with all of that
turned to verse and art
perfectly acceptable substitutes

© copyright 2018 mac tag/cowboy coleridge all rights reserved

and now, we turn the reins over to Rhett.

Zazie, I read your note, My Prediction.  here it is rewritten in verse:

One day you will say to yourself
“I wish I had hugged her more!”
At the same time I will be lying
in someone’s arms
not thinking of you!

i can feel your angst, and as you know, that is somethin’ we know a helluva lot about around here.  swear to god, love is the hardest damn thing to figure out.  i reckon you are strugglin’ with the age old delimma; to be alone, or not to be alone.

i think some people are wired for bein’ alone.  so the first thing you should do is figure that out.  it works for me.  i had my one dance with love and when it did not work out i was done.  i turned to sex and art and found that they were perfectly acceptable substitutes.  jett has not proven he can be alone.  he still believes in fallin’ in love.  hell, he probly has time for a couple more divorces!  mac tag has about decided that alone will work for him.  a dark-haired beauty recently told him not to give up hope.  his response; hope is a fickle, cold-hearted bitch.  but he allows it did not help that he told her to go to hell.

if not to be alone is your choice, then it comes down to this; do you keep searchin’ for the one, or do you settle for close enough.  if you are lucky enough to find the one, well then congratulations.  you win at life.  but i have only known one couple who won, so good luck with that.  if you are with someone who is close, you will have to work your butt off to keep it; lots of communication, patience, understandin’… jesus, i would rather go get drunk, find Ms. Right-for-the-Night, and be home by first light.

hope that helps.  stay in touch.  we will figure this out.

for the song of the day, another from our friend Bret Mosley (bretmosley.com) his version of Poke by the Frightened Rabbits, pretty much covers to be alone, or not to be alone in one song.

Today is the birthday of Ozias Humphry (or Humphrey) RA (Honiton, England 8 September 1742 – 9 March 1810 London); leading English painter of portrait miniatures, later oils and pastels, of the 18th century. He was elected to the Royal Academy in 1791, and in 1792 he was appointed Portrait Painter in Crayons to the King (i.e. pastels).

Gallery

 

20220908_225456

20230907_171310

Rhett

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The Lovers’ Chronicle – 7 September – holdin’ you – art by Grandma Moses – verse by Edith Sitwell

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Rhett

The Lovers’ Chronicle

Dear Muse,

within you lies furled
fire and splendour
the reason for the verse
in your wind-blown hair
the songs that turn,
the changin’ evenin’ air,
when the stars fill the sky
just to be, holdin’ you
a convergence,
the flames of the heart
and the flames of the mind

© copyright 2020 mac tag/cowboy coleridge all rights reserved

so, apparently
some, or a lot,
of people
demand proof
of affection

do not get that
how can it be genuine
if it must be proven

flat out not capable
of bein’ understood
so what the hell
would be the point

best stay here
with the memories
of holdin’ you

© copyright 2018 mac tag/cowboy coleridge all rights reserved

never found a way to say,
el amor de mi vida
expect it was the mistake
of my life

please stay
two words
i shoulda said
with me
four words
i shoulda found

middle of the moonlit night
our lamp burnin’ dimly
suddenly awake at a noise
someone or somethin’
is outside, near

i rise and open the door
nothin’, only a vast expanse,
calm, peaceful, and exquisite
under the brilliant moonlight

the wind, a spirit, nothin’
tranquil, profound silence
reigns in the dreamy vagueness

return to bed
pull up the heavy quilt
for it is cold

i god, it really was somethin’
to hold you here

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

20220907_204859Today is the birthday of Grandma Moses (born Anna Mary Robertson Moses on September 7, 1860 in Grennwich, New York – December 13, 1961 Hoosick Falls, New York); folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Her works have been shown and sold worldwide, including in museums, and have been merchandised such as on greeting cards. Sugaring Off was sold for US$1.2 million in 2006.

 At age 27, she worked on the same farm with Thomas Salmon Moses, a “hired man”. They were married and established themselves near Staunton, Virginia where they spent nearly two decades, living and working in turn on five local farms. Four of them are The Bell Farm or Eakle Farm, The Dudley Farm, Mount Airy Farm (now included within Augusta County’s Millway Place Industrial Park), and Mount Nebo.  To supplement the family income at Mount Nebo, Anna made potato chips and churned butter from the milk of a cow that she purchased with her savings. Later, the couple bought a farm.  Mount Airy near Verona, Virginia was listed on the National Register of Historic Places in 2012. Having bought the house in January 1901, it is the first residence the family owned. They lived there until September 1902.
Although she loved living in the Shenandoah Valley, in 1905 Anna and Robert moved to a farm in Eagle Bridge, New York at her husband’s urging. When Thomas Moses was about 67 years of age in 1927, he died of a heart attack, after which Anna’s son Forrest helped her operate the farm. She never married again. She retired and moved to a daughter’s home in 1936.  She was known as either “Mother Moses” or “Grandma Moses”, and although she first exhibited as “Mrs. Moses”, the press dubbed her “Grandma Moses”, and the nickname stuck.
Grandma Moses died at age 101 on December 13, 1961, at the Health Center in Hoosick Falls, New York. She is buried there at the Maple Grove Cemetery.  President John F. Kennedy memorialized her: “The death of Grandma Moses removed a beloved figure from American life. The directness and vividness of her paintings restored a primitive freshness to our perception of the American scene. Both her work and her life helped our nation renew its pioneer heritage and recall its roots in the countryside and on the frontier. All Americans mourn her loss.”
Gallery
Taking in the Laundry, 1951

Taking in the Laundry, 1951

Dame Edith Sitwell
Roger Fry - Edith Sitwell.jpg

Portrait of Sitwell by Roger Fry

Today is the birthday of Edith Sitwell (Edith Louisa Sitwell; Scarborough, North Yorkshire; 7 September 1887 – 9 December 1964 London); poet and critic and the eldest of the three literary Sitwells.  Like her brothers Osbert and Sacheverell, Edith reacted badly to her eccentric, unloving parents, and lived for much of her life with her governess.  She never married, but became passionately attached to the Russian painter Pavel Tchelitchew.  Sitwell published poetry continuously from 1913, some of it abstract and set to music.

Portrait of Edith Sitwell, by Roger Fry, 1918

She died of cerebral haemorrhage at St Thomas’ Hospital on 9 December 1964 at the age of 77. She is buried in the churchyard of Weedon Lois in Northamptonshire.  Sitwell’s papers are held at the Harry Ransom Center at The University of Texas at Austin.

Verse

Clowns’ Houses (1918)

  • The busy chatter of the heat
    Shrilled like a parakeet;
    And shuddering at the noonday light
    The dust lay dead and white
  • As powder on a mummy’s face,
    Or fawned with simian grace
    Round booths with many a hard bright toy
    And wooden brittle joy:
  • The cap and bells of Time the Clown
    That, jangling, whistled down
    Young cherubs hidden in the guise
    Of every bird that flies;
  • And star-bright masks for youth to wear,
    Lest any dream that fare
    — Bright pilgrim — past our ken, should see
    Hints of Reality.
  • Tall windows show Infinity;
    And, hard reality,
    The candles weep and pry and dance
    Like lives mocked at by Chance.
  • The rooms are vast as Sleep within;
    When once I ventured in,
    Chill Silence, like a surging sea,
    Slowly enveloped me.

    • “Clowns’ Houses”

The Wooden Pegasus (1920)

  • Within your magic web of hair, lies furled
    The fire and splendour of the ancient world;

    The dire gold of the comet’s wind-blown hair;
    The songs that turned to gold the evening air
    When all the stars of heaven sang for joy.

    • “The Web of Eros”

Façades (1922)

  • White as a winding sheet,
    Masks blowing down the street:
    Moscow, Paris London, Vienna — all are undone.
    The drums of death are mumbling, rumbling, and tumbling,
    Mumbling, rumbling, and tumbling,
    The world’s floors are quaking, crumbling and breaking.

    • “The Last Gallop”
  • Oh how the Vacancy
    Laughed at them rushing by.
    “Turn again, flesh and brain,
    Only yourselves again!
    How far above the ape
    Differing in each shape,
    You with your regular
    Meaningless circles are!”

    • “Switchback”

Green Song & Other Poems (1944)

Heart and Mind

  • The great gold planet that is the mourning heat of the Sun
    Is greater than all gold, more powerful
    Than the tawny body of a Lion that fire consumes
    Like all that grows or leaps… so is the heart
    More powerful than all dust.
  • The flames of the heart consumed me, and the mind
    Is but a foolish wind.
  • Remember only this of our hopeless love
    That never till Time is done
    Will the fire of the heart and the fire of the mind be one.

The Canticle of the Rose (1949)

The Canticle of the Rose: Selected Poems, 1920-1947 (1949)
  • Mother or Murderer, you have
    given or taken life —
    Now all is one!

    • “Three Poems of the Atomic Bomb: Dirge for the New Sunrise”
  • Our hearts seemed safe in our breasts and sang to the
    Light —

    The marrow in the bone
    We dreamed was safe. . . the blood in the veins, the
    sap in the tree
    Were springs of Deity.

    • “Three Poems of the Atomic Bomb: Dirge for the New Sunrise”
  • The living blind and seeing Dead together lie
    As if in love . . . There was no more hating then,
    And no more love; Gone is the heart of Man.

    • “Three Poems of the Atomic Bomb: Dirge for the New Sunrise”

 

Mac Tag

All sorrows can be borne if you put them into a story or tell a story about them. – Isak Dinesen

Remember only this of our hopeless love

That never til Time is done

Will the fire of the heart & the fire of the mind be one.

 Edith Sitwell

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The Lovers’ Chronicle 6 September – temptation – premiere of Mozarts’ opera La clemenza di Tito

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Follow us on twitter @cowboycoleridge.  Is there someone you never see who you will always love?  Is there someone you long to see?  Rhett

The Lovers’ Chronicle

Dear Muse,

IMG_20200905_235254463~2a view awaits
in the beginnin’
such is the simplicity
to hearken after the flesh
but never before like this
in each other we exist
and all we see or seem,
is a life within a dream
and it turns out
the best part
is the holdin’ on
so we yield
and let it overtake us

© copyright 2020 mac tag/cowboy coleridge all rights reserved

to see or hear
to be able to say
faithfully
always to wait

open and close
always to stretch out

only to allow
and then be consumed

to see or hear
to yield
to say your name
aloud
with that which grows
ever more tender

© copyright 2018 mac tag/cowboy coleridge all rights reserved

mactagsummerdreamgood news,
i dreamed you
two nights ago
hazy of course
but definitely
had an intimate feel
i was swept away

bad news, i dreamed
a new woman last night
that usually means
someone is comin’
that is the last thing i need

on this night, clear
in the moonlight
a long walk in order
a promised view awaits

at the foot of a temple
commence climbin’ the steps
granite stairs, imposin’,
uniformly gray under
the nocturnal sky
vanish ahead

no turnin’ ’round
to disappear
in the depths beneath,
to fall with the dizzy
rapidity of a dream

black shadows stretch out beyond
lost now in the immensity
a deep silence reigns
a reverence steals over

a cool wind passes over
at the end of the terrace
the valley below resembles
a dark rent which the moonbeams
cannot fathom

a good place
as promised
to sit and contemplate
choices to be made
deliver me not into temptation…

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

Never to see her
always to love her
Always to long
just to see her

© copyright 2012 mac tag/cowboy Coleridge all rights reserved

 

On this day in 1791 La clemenza di Tito (English: The Clemency of Titus), K. 621, an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio, premiered at the Estates Theatre in Prague. It was started after the bulk of Die Zauberflöte (The Magic Flute), the last opera that Mozart worked on, was already written.

Act One

Vitellia, daughter of the late emperor Vitellio (who had been deposed by Tito’s father Vespasian), wants revenge against Tito. She stirs up Tito’s vacillating friend Sesto, who is in love with her, to act against him (duet Come ti piace, imponi). But when she hears word that Tito has sent Berenice of Cilicia, of whom she was jealous, back to Jerusalem, Vitellia tells Sesto to delay carrying out her wishes, hoping Tito will choose her (Vitellia) as his empress (aria Deh, se piacer mi vuoi).

Tito, however, decides to choose Sesto’s sister Servilia to be his empress, and orders Annio (Sesto’s friend) to bear the message to Servilia (aria Del più sublime soglio). Since Annio and Servilia, unbeknownst to Tito, are in love, this news is very unwelcome to both (duet Ah, perdona al primo affetto). Servilia decides to tell Tito the truth but also says that if Tito still insists on marrying her, she will obey. Tito thanks the gods for Servilia’s truthfulness, and immediately forswears the idea of coming between her and Annio (aria Ah, se fosse intorno al trono).

In the meantime, however, Vitellia has heard the news about Tito’s interest in Servilia and is again boiling with jealousy. She urges Sesto to assassinate Tito. He agrees, singing one of the opera’s most famous arias (Parto, parto, ma tu, ben mio with basset clarinet obbligato). Almost as soon as he leaves, Annio and the guard Publio arrive to escort Vitellia to Tito, who has now chosen her as his empress. She is torn with feelings of guilt and worry over what she has sent Sesto to do.

Sesto, meanwhile, is at the Capitol wrestling with his conscience (recitativo Oh Dei, che smania è questa), as he and his accomplices go about to burn it down. The other characters (except Tito) enter severally and react with horror to the burning Capitol. Sesto reenters and announces that he saw Tito slain, but Vitellia stops him from incriminating himself as the assassin. The others lament Tito in a slow, mournful conclusion to act one.

Act Two

The act begins with Annio telling Sesto that Emperor Tito is in fact alive and has just been seen; in the smoke and chaos, Sesto mistook another for Tito. Sesto wants to leave Rome, but Annio persuades him not to (aria Torna di Tito a lato). Soon Publio arrives to arrest Sesto, bearing the news that it was one of Sesto’s co-conspirators who dressed himself in Tito’s robes and was stabbed, though not mortally, by Sesto. The Senate tries Sesto as Tito waits impatiently, sure that his friend will be exonerated; Publio expresses his doubts (aria Tardi s’avvede d’un tradimento) and leaves for the Senate. Annio begs Tito to show clemency towards his friend (aria Tu fosti tradito). Publio returns and announces that Sesto has been found guilty and an anguished Tito must sign Sesto’s death sentence.

He decides to send for Sesto first, attempting to obtain further details about the plot. Sesto takes all the guilt on himself and says he deserves death (rondo Deh, per questo istante solo), so Tito tells him he shall have it and sends him away. But after an extended internal struggle, Tito tears up the execution warrant for Sesto. He determines that, if the world wishes to accuse him (Tito) of anything, it should charge him with showing too much mercy, rather than with having a vengeful heart (aria Se all’impero).

Vitellia at this time is torn by guilt, but Servilia warns her that tears alone will not save Sesto (aria S’altro che lagrime). Vitellia finally decides to confess all to Tito, giving up her hopes of empire (rondo Non più di fiori with basset horn obbligato). In the amphitheatre, the condemned (including Sesto) are waiting to be thrown to the wild beasts. Tito is about to show mercy, when Vitellia offers her confession as the instigator of Sesto’s plot. Although shocked, the emperor includes her in the general clemency he offers (recitativo accompagnato Ma che giorno è mai questo?). The opera concludes with all the subjects praising the extreme generosity of Tito; he then asks that the gods cut short his days, should he ever cease to care for the good of Rome.

 

Mac Tag

Poets are all who love, who feel great truths,

And tell them; and the truth of truths is love.

Philip James Bailey

Such is the simplicity of man to hearken after the flesh.Shakespeare

Your dying is my dying. In you I exist—to live or not.Euripides

All we see or seem, is but a dream within a dream ~ Edgar Allan Poe

The best thing to hold onto in life is each other. ~ Audrey Hepburn

She bid me take love easy, as the leaves grow on the tree;

But I, being young and foolish, with her would not agree.

W.B. Yeats

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