Dear Zazie, Here is today’s Lovers’ Chronicle from Mac Tag to his muse. Rhett
The Lovers’ Chronicle
Dear Muse,
to go deeper, beneath what most see, what it means, this thing, oh, it is very clear, to feel continuously a sense of existence, to be brought together, an offerin’; to combine, to create; it is our gift, nothin else is of the slightest importance; how unbelievable it is here with you
© copyright 2021 mac tag/cowboy coleridge all rights reserved
castin’ glances
freshly disheveled
furtive smile
the curves
the fullness
the way you move
reverence
with every touch
hands, movin’
with purpose
numberless dreams
a lifetime
not enough
to do justice
this, here, now
with you
matters
how believable
you and i will know
© copyright 2019 mac tag/cowboy coleridge all rights reserved
oh, me
that is an easy question…
this,
here,
now,
in front of a blank page
with you
………
“Sadly in search of and one step in back of
himself and his slow movin’ dreams”
castin’ glances
freshly disheveled
furtive smile
the curve
from your waist
down to your hips
fullness of breasts
the way your legs flash
when they move
reverence
with every touch
hands tremblin’,
movin’ with purpose
urgent responses
numberless dreams
once i lived my dreams
now i dream my life
fill my sleep
with dreams of you
© copyright 2018 mac tag/cowboy coleridge
Wonderful beauty
fullness of lips
eyes castin’ fervent glances
hair, freshly disheveled
furtive smile. The curve
from her waist
down to her hips
fullness of breasts
The way her legs flash
when they move
skin flushed
body fervid
Reverent hands
Every touch, as if the first
hands tremblin’,
yet movin’ with purpose
gently pushin’, pullin’
response urgent, ardent
Numberless dreams
Once I lived my dreams
Now I dream my life
Fill my sleep with numberless dreams
of your wonderful beauty
and my reverent hands
© copyright 2013 Mac Tag/Cowboy Coleridge all rights reserved
Thomas Gainsborough | |
---|---|
Self-portrait (1759)
|
Today is the christening day of Thomas Gainsborough (Sudbury 14 May 1727, died 2 August 1788 London); portrait and landscape painter, draughtsman, and printmaker. In my opinion, he was the dominant British portraitist of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. He preferred landscapes to portraits, and is one of the originators of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Gallery
-
Margaret Burr (1728–1797), the artist’s wife, c. early 1770s
-
The Artist’s Daughters (c. 1759)
-
Clayton Jones, 1745
-
Portrait of a Woman, 1750
-
The Painter`s Daughters Chasing a Butterfly (1756)
-
A Man Called Mr. Wood, the Dancing Master (1757)
-
Mary Little, Later Lady Carr
-
Portrait of the Composer Carl Friedrich Abel with his Viola da Gamba (c. 1765)
-
The lawyer Joshua Grigby III, 1760/1765
-
Sir Robert Clayton, ( 1769)
-
The Linley Sisters (1772)
-
The Gravenor Family (1775)
-
Johann Christian Bach (1776)
-
Gainsborough`s Daughter Mary (1777)
-
Portrait of James Christie (1778)
-
Colonel John Bullock (c. 1780)
-
An officer of the 4th Regiment of Foot (c. 1776–1780)
-
Lady in Blue (c. 1780)
-
Madame Lebrun (1780)
-
Mrs. Sarah Siddons (1785)
-
Her Grace, Georgiana Cavendish, Duchess of Devonshire (1787)
-
Mrs Richard Brinsley Sheridan (1787)
-
Landscape in Suffolk (1748)
-
River Landscape (undated)
-
Coastal Landscape with a Shepherd and His Flock
-
The Mall in St. James’s Park
-
Mr. and Mrs. Robert Andrews (c. 1748–1750)
-
Hilly Landscape with Figures Approaching a Bridge (c. 1763), watercolour
-
Road from Market
-
Landscape with Stream and Weir
Mrs Dalloway (1925) select passages
- Mrs Dalloway said she would buy the flowers herself.
- It was enemies one wanted, not friends.
- A whole lifetime was too short to bring out, the full flavour; to extract every ounce of pleasure, every shade of meaning.
- What she loved was this, here, now, in front of her; the fat lady in the cab. Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? but that somehow in the streets of London, on the ebb and flow of things, here there, she survived. Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly, rambling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself.
- But to go deeper, beneath what people said (and these judgements, how superficial, how fragmentary they are!) in her own mind now, what did it mean to her, this thing she called life? Oh, it was very queer. Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quiet continuously a sense of their existence and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom? An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was! — that it must end; and no one in the whole world would know how she had loved it all.
- Rigid, the skeleton of habit alone upholds the human frame.
Those of you who know us, know we are big fans of Virginia Woolf.
Through the clear atmosphere I stretch around on the wonderful beauty. – Walt Whitman
I bring you with reverent hands / The books of my numberless dreams. – W.B. Yeats
I am the man . . . . I suffered . . . . I was there. – Walt Whitman
11/07/2012 at 11:58 am Permalink
I really like your writing style, superb information, thanks for posting : D.