The Lovers’ Chronicle 14 May – reverence – art by Thomas Gainsborough – verse by Marian Osborne – Virginia Woolf’s Mrs Dalloway

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag to his muse.  Rhett

The Lovers’ Chronicle

Dear Muse,

to go deeper, beneath what most see, what it means, this thing, oh, it is very clear, to feel continuously a sense of existence, to be brought together, an offerin’; to combine, to create; it is our gift, nothin else is of the slightest importance; how unbelievable it is here with you

© copyright 2021 mac tag/cowboy coleridge all rights reserved

castin’ glances
freshly disheveled
furtive smile
the curves
the fullness
the way you move

reverence
with every touch
hands, movin’
with purpose

numberless dreams

a lifetime
not enough
to do justice

this, here, now
with you
matters

how believable
you and i will know

© copyright 2019 mac tag/cowboy coleridge all rights reserved

oh, me
that is an easy question…
this,
here,
now,
in front of a blank page
with you

………

“Sadly in search of and one step in back of
himself and his slow movin’ dreams”

castin’ glances
freshly disheveled
furtive smile
the curve
from your waist
down to your hips
fullness of breasts
the way your legs flash
when they move

reverence
with every touch
hands tremblin’,
movin’ with purpose
urgent responses

numberless dreams
once i lived my dreams
now i dream my life
fill my sleep
with dreams of you

© copyright 2018 mac tag/cowboy coleridge

Wonderful beauty
fullness of lips
eyes castin’ fervent glances
hair, freshly disheveled
furtive smile. The curve
from her waist
down to her hips
fullness of breasts
The way her legs flash
when they move
skin flushed
body fervid

Reverent hands
Every touch, as if the first
hands tremblin’,
yet movin’ with purpose
gently pushin’, pullin’
response urgent, ardent

Numberless dreams
Once I lived my dreams
Now I dream my life
Fill my sleep with numberless dreams
of your wonderful beauty
and my reverent hands

© copyright 2013 Mac Tag/Cowboy Coleridge all rights reserved

 

Thomas Gainsborough
Thomas Gainsborough by Thomas Gainsborough.jpg

Self-portrait (1759)

Today is the christening day of Thomas Gainsborough (Sudbury 14 May 1727, died 2 August 1788 London); portrait and landscape painter, draughtsman, and printmaker.  In my opinion, he was the dominant British portraitist of the second half of the 18th century.  He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes.  He preferred landscapes to portraits, and is one of the originators of the 18th-century British landscape school.  Gainsborough was a founding member of the Royal Academy.

Gallery

Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk (1745–46). At the time, his clientele included mainly local merchants and squires.

Ann Ford (later Mrs. Philip Thicknesse), 1760

The Blue Boy (1770). The Huntington, California.

 His later pictures are characterized by a light palette and easy strokes. Portrait of Anne, Countess of Chesterfield, 1777–1778

Girl with Pigs, 1781–82, said by Sir Joshua Reynolds to be “the best picture he ever painted”

The Harvest Wagon (c. 1784)

marianosborneToday is the birthday of poet Marian Osborne (Montreal, May 14, 1871 – September 5, 1931 Ottawa).  From her we get the Poem of the Day:

Love’s Anguish

Shall I with lethal draughts drowse every thought
And let the days pass by with silent tread,–
Dream that the vanished hour I long have sought
Is once more mine, and you no longer dead?
How shall I grasp the skirts of happy chance
And calm my spirit in adventurous ways,
Like bold Don Quixote hold aloft my lance
Against the world without thy meed of praise?
How can I live through long discordant days,
How cheat despair, or speed Time’s lagging feet,
Since I have lost the fragrance of love’s ways
That turned life’s winter into springtime sweet?
Come to me, Death, come, ere it be too late;
Thy kiss alone can draw the sting of Fate.

We shall carry on the anguish theme and rock out with The Song of the Day from the Italian rock band Shide – Anguish”.

Come to me, come before it is too late.  Thy kiss alone can draw the sting of anguish.

virginiawoolfMrs._Dalloway_coverAnd on this day in 1925 – Virginia Woolf‘s novel Mrs Dalloway is published.  The novel details a day in the life of Clarissa Dalloway, a fictional high-society woman in post–First World War England.  Created from two short stories, “Mrs Dalloway in Bond Street” and the unfinished “The Prime Minister,” the novel addresses Clarissa’s preparations for a party she will host that evening.  With an interior perspective, the story travels forwards and back in time and in and out of the characters’ minds to construct an image of Clarissa’s life and of the inter-war social structure.

Mrs Dalloway (1925) select passages

Portrait of Virginia Woolf c 1917 by Roger Fry (1866-1934)

  • Mrs Dalloway said she would buy the flowers herself.
  • It was enemies one wanted, not friends.
  • A whole lifetime was too short to bring out, the full flavour; to extract every ounce of pleasure, every shade of meaning.
  • What she loved was this, here, now, in front of her; the fat lady in the cab. Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? but that somehow in the streets of London, on the ebb and flow of things, here there, she survived. Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly, rambling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself.
  • But to go deeper, beneath what people said (and these judgements, how superficial, how fragmentary they are!) in her own mind now, what did it mean to her, this thing she called life? Oh, it was very queer. Here was So-and-so in South Kensington; some one up in Bayswater; and somebody else, say, in Mayfair. And she felt quiet continuously a sense of their existence and she felt what a waste; and she felt what a pity; and she felt if only they could be brought together; so she did it. And it was an offering; to combine, to create; but to whom? An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was! — that it must end; and no one in the whole world would know how she had loved it all.
  • Rigid, the skeleton of habit alone upholds the human frame.

Those of you who know us, know we are big fans of Virginia Woolf.

Mac Tag

Through the clear atmosphere I stretch around on the wonderful beauty. – Walt Whitman

I bring you with reverent hands / The books of my numberless dreams. – W.B. Yeats

I am the man . . . . I suffered . . . . I was there. – Walt Whitman

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One Comment on "The Lovers’ Chronicle 14 May – reverence – art by Thomas Gainsborough – verse by Marian Osborne – Virginia Woolf’s Mrs Dalloway"

  1. Leonardo Laible
    11/07/2012 at 11:58 am Permalink

    I really like your writing style, superb information, thanks for posting : D.

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