Anna Magnani

Today is the birthday of Anna Magnani (Rome; 7 March 1908 – 26 September 1973, Rome); stage and film actress. She won the Academy Award for Best Actress, along with four other international awards, for her portrayal of a Sicilian widow in The Rose Tattoo.

She worked her way through Rome’s Academy of Dramatic Art by singing at night clubs. She was referred to as “La Lupa,” the “perennial toast of Rome” and a “living she-wolf symbol” of the cinema. Time magazine described her personality as “fiery”, and drama critic Harold Clurman said her acting was “volcanic”. In the realm of Italian cinema she was “passionate, fearless, and exciting,” an actress that film historian Barry Monush calls “the volcanic earth mother of all Italian cinema.” Director Roberto Rossellini called her “the greatest acting genius since Eleonora Duse”. Playwright Tennessee Williams became an admirer of her acting and wrote The Rose Tattoo (my personal favorite of her movies) specifically for her to star in.

After meeting director Goffredo Alessandrini she received her first screen role in La cieca di Sorrento (The Blind Woman of Sorrento) (1934) and later achieved international fame in Rossellini’s Rome, Open City (1945), considered the first significant movie to launch the Italian neorealism movement in cinema. As an actress she became recognized for her dynamic and forceful portrayals of “earthy lower-class women” in such films as L’Amore (1948), Bellissima (1951), The Rose Tattoo (1955), The Fugitive Kind (1960) and Mamma Roma (1962). As early as 1950 Life magazine had already stated that Magnani was “one of the most impressive actresses since Garbo”.

She married Alessandrini, in 1935, two years after he discovered her on stage. After they married, she retired from full-time acting to “devote herself exclusively to her husband”, although she continued to play smaller film parts. They separated in 1942.

Magnani had a love affair with the actor Massimo Serato after her separation from Alessandrini.

In 1945 she fell in love with Rossellini while working on Roma, Città Aperta aka Rome, Open City (1945). “I thought at last I had found the ideal man… [He] had lost a son of his own and I felt we understood each other. Above all, we had the same artistic conceptions.” Rossellini became violent, volatile and possessive, and they argued constantly about films or out of jealousy. “In fits of rage they threw crockery at each other.” As artists, however, they complemented each other well while working on neorealist films. The two finally split apart when Rossellini fell in love with and married, Ingrid Bergman.

Magnani died at the age of 65 in Rome from pancreatic cancer in 1973. Huge crowds gathered for the funeral. She was provisionally laid to rest in the family mausoleum of Rossellini; but then subsequently interred in the Cimitero Comunale of San Felice Circeo in southern Lazio.