The Lovers’ Chronicle 15 December – El Pacifico – art by David Teniers the Younger – verse by Muriel Rukeyser

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.   Rhett

The Lovers’ Chronicle

Dear Muse,

creatin’ these stories,
this verse, for myself
for you unkown till now
i would imagine findin’ you,
makin’ love to you, tryin’
by any means to reach
the limits of ourselves,
to let go the means, to wake
how shall we get there
how shall we tell each other
i god we are connected

© copyright 2020 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

random musin’s…

memoria, hablando
a través de memorias

is that not the meanin’
is that not the purpose,
conscious or not,
of this compulsive need

© copyright 2018 mac tag/cowboy coleridge all rights reserved

elpacificoAir_Wave_-_panoramioEl Pacifico

down south of the border
they have a sayin’…
El Pacifico
no tiene memoria

to be awash again
in that perfect water
washin’ away
these memories…

tell her i miss everything
when you see her, tell her…

if you came to me
would you say you knew
me, that you had known
me always, would you…

shadows cast upon
an adobe wall…

© copyright 2016 mac tag/cowboycoleridge all rights reserved

Portrait of David Teniers by Philip Fruytiers, 1655

Portrait of David Teniers by Philip Fruytiers, 1655

Today is the birthday of David Teniers the Younger or David Teniers II (Antwerp 15 December 1610 – 25 April 1690 Brussels); painter, printmaker, draughtsman, miniaturist painter, staffagepainter, copyist and art curator. He was an innovator in a wide range of genres such as history, genre, landscape, portrait and still life. Perhaps best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.

He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s.

Teniers married into the famous Brueghel artist family when Anna Brueghel, daughter of Jan Brueghel the Elder, became his wife on 22 July 1637. Rubens, who had been the guardian of Anna Brueghel after her father’s death, was a witness at the wedding. Through his marriage Teniers was able to cement a close relationship with Rubens who had been a good friend and frequent collaborator with his wife’s father.

Teniers’ wife died on 11 May 1656. On 21 October of the same year the artist remarried. His second wife was Isabella de Fren. It has been suggested that Teniers’ main motive for marrying the ‘spinster’ was her rather elevated position in society. His second wife also brought him a large dowry. The couple had four children, two sons and two boys. Teniers petitioned the king of Spain to be admitted to the aristocracy but gave up when the condition imposed was that he should give up painting for money.

Gallery

Judith with the Head of Holofernes

Judith with the Head of Holofernes

 Smokers in an interior, c. 1637; oil on panel

Village festival, 1645; oil-painting on canvas

 Card players, c. 1644-45; oil on panel

 Mountain landscape with a gypsy fortune teller, after 1644; oil on canvas

 A family concert on the terrace of a country house: a self-portrait of the artist with his family, between 1640-49; oil on canvas

 A peasant holding a glass, 1640’s; oil on copper-plate

The Temptation of St. Anthony; oil on panel

Peasants playing cards in an interior, between 1630-45; oil on copper-plate

Landscape with peasants playing bowls outside an inn, c. 1660; oil on canvas

River landscape with rainbow, after 1644; oil on canvas

A pastoral landscape with a herdsman playing a pipe near a waterfall, 1660’s; oil on canvas

View of Drij Toren at Perk, with Teniers’ family, 1660’s; oil on canvas

Archduke Leopold Wilhelm in his gallery in Brussels, c. 1647-51; oil on copper-plate

Archduke Leopold Wilhelm in his gallery in Brussels, 1650-52; oil on canvas

A picture gallery with two men examining a seal and a red chalk drawing, and a monkey present, oil on panel

Jesus among the Doctors, modello by Teniers after Ribera c. 1651-56; oil on panel
Smoking and drinking monkeys, c. 1660; oil on panel

Guardroom with monkeys, c. 1633; oil on panel

Guardroom with the Deliverance of Saint Peter, c. 1645; oil on panel

A guardroom with a self-portrait of the artist, 1640’s; oil on copper-plate

An alchemist in his laboratory; oil on canvas

The alchemist, c. 1650; oil on panel

Village doctor examining a urine flask, 1645; oil on panel

Still-life with overturned jug, 1635; oil on panel

Kitchen still life with a vase of flowers, dead birds, a fish and a cat, with Nicolaes van Verendael and Carstian Luyckx, c. 1670; oil on canvas

The Soap Bubbles, c. 1660-70; oil on canvas

Peasant Wedding, 1650; oil on canvas

 

Muriel Rukeyser
Muriel Rukeyser by Imogen Cunningham, 1945.jpg

Muriel Rukeyser in 1945

Today is the birthday of Muriel Rukeyser (December 15, 1913 – February 12, 1980 New York); poet and political activist, best known for her poems about equality, feminism, social justice, and Judaism.  Kenneth Rexroth said that she was the greatest poet of her “exact generation”.

Verse  

The Speed of Darkness (1968)

  • The Universe is made of stories, not of atoms.
  • I lived in the first century of world wars.
    Most mornings I would be more or less insane.

    • “Poem”
  • Slowly I would get to pen and paper,
    Make my poems for others unseen and unborn.

    In the day I would be reminded of those men and women,
    Brave, setting up signals across vast distances,
    considering a nameless way of living, of almost unimagined values.

    • “Poem”
  • We would try to imagine them, try to find each other,
    To construct peace, to make love, to reconcile
    Waking with sleeping, ourselves with each other,
    Ourselves with ourselves. We would try by any means
    To reach the limits of ourselves, to reach beyond ourselves,
    To let go the means, to wake.

    • “Poem” — these lines are among those quoted on the The Pacifist Memorial

The Gates (1976)

  • How shall we venture home?
    How shall we tell each other of the poet?

    How can we meet the judgment on the poet,
    or his execution? How shall we free him?
  • How shall we speak to the infant beginning to run?
    All those beginning to run?

    • “The Gates”
  • O for God’s sake
    they are connected
    underneath.

    • “Islands”

 

Mac Tag

Share This Post

Trackback URL

, , , ,

No Comments on "The Lovers’ Chronicle 15 December – El Pacifico – art by David Teniers the Younger – verse by Muriel Rukeyser"

Hi Stranger, leave a comment:

ALLOWED XHTML TAGS:

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

Subscribe to Comments