The Lovers’ Chronicle 12 November – moment – birth of Auguste Rodin

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse.  Who do you embrace and who returns to embrace you?  Rhett

The Lovers’ Chronicle

Dear Muse,

against the backdrop
of all that has come
and gone
other places and times
the totem topples
to be found
amidst such passion
of mind, spirit and flesh
the affect of these feelin’s
with you, fervent
whispers and caress
the purpose
comes into focus
to be in this embrace

© copyright 2020 mac tag/cowboy coleridge all rights reserved

against the backdrop
of another place and time
amidst whisperin’s, embrace
tenderness, adored bodies
swellin’ and tremblin’
the totem spins…
pleasure bursts in the flesh
the purpose grows bright,
shimmerin’ and desperate
in the shadows, ’round the vision

© copyright 2019 mac tag/cowboycoleridge all rights reserved

choose and chop off
whatever is not needed

the only thing
is to be moved
to tremble, to live
to be an artist

create a spark,
make a fire,
be willin’
to be consumed

the gift is nothin’
without the will
to make it worthwhile

you revealed me to myself
revealed to me, in your embrace

© copyright 2018 mac tag/cowboy coleridge all rights reserved

trapped in the amber
of any moment with you,
suits me just fine

against the backdrop
of another place and time
amidst whisperin’s
of passion and tenderness
bodies embrace
the totem spins…
the purpose grows bright
on this i cannot help but throw myself
in reveries revisited again and again
© copyright 2017 mac tag/cowboy Coleridge all rights reserved

“How much do you know
about fear?”
all there is

“Room service.”
i did not order anything
not even you

La forza del destino
i know, i know
you think i do not know that
never said i was not willin’
to pay the price

“Think on your sins.”
every dang day

“Do you think
you’ll be able to sleep now?”
i do not think the dead care

“I wish I could set you free.”
me too

quantum of solace
i suppose
in the verse
in you

And now, a vignette, a poem and a song.  All for you.

Embrace
She tried to turn away from him, but he would not let her.  He took her arm and turned her to face him.  She started to speak but he put his finger to her lips. They stood there lookin’ into each other’s eyes for a moment.  A moment that lengthened and lingered.  A moment that became somethin’.  Somethin’ they both needed.  He knew it.  She knew it.  Then he took her in his arms and he held her.  He held her firmly and she allowed herself to flow into the strength of his embrace, their embrace, an embrace that from then on would always be there.  He slowly released her and took her hand and led her down the sidewalk to a bench.  They sat on the bench as one.  As they leaned back they leaned into each other and his arms once again went around her and they gave themselves to the embrace.  All there was, all that mattered was the embrace and their thoughts.  His were there with her and hers took her where she had to go.  They stayed there as if askin’ the world to wait.  They were sustained by each other, by two hearts findin’ unison, by the embrace.

Bein’ Embraced

Against the backdrop of fall; another place and time
Amidst whisperin’s of passion and tenderness
Adored bodies embrace, swellin’ and tremblin’
The totem spins…
Pleasure bursts in the gleamin’ flesh
The purpose of life grows bright,
Shimmerin’ and desperate
In the shadows, around the Vision

Shiverin’s mutter and rise
The furious affect of these feelin’s smolder
With fervent whisperin’ and tender caress
No matter that reality, hurls at this embrace
The totem keeps spinnin’…
Bodies cling, flesh joins

To see your face

To kiss your lips

To be in your embrace

On this I cannot help but throw myself
In reveries revisited again and again

© copyright 2012 mac tag/Cowboy Coleridge all rights reserved

The Song of the Day is “Embrace” by Dazzled Kid.

augusteRodin-croppedToday is the birthday of Auguste René Rodin (François Auguste René RodinParis 12 November 1840 – 17 November 1917 Meudon, France); sculptor.

From the unexpected realism of his first major figure – inspired by an 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, Rodin’s reputation grew, and he became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Private clients sought Rodin’s work after his World’s Fair exhibit, and he kept company with a variety of high-profile intellectuals and artists. His students included Antoine Bourdelle, Camille Claudel, Constantin Brâncuși, and Charles Despiau. He married his lifelong companion, Rose Beuret, in the last year of both their lives. Rodin remains one of the few sculptors widely known outside the visual arts community.

In 1883, Rodin agreed to supervise a course for sculptor Alfred Boucher in his absence, where he met the 18-year-old Camille Claudel. The two formed a passionate but stormy relationship and influenced each other artistically. Claudel inspired Rodin as a model for many of his figures, and she was a talented sculptor, assisting him on commissions.

Claudel and Rodin parted in 1898. Claudel suffered an alleged nervous breakdown several years later and was confined to an institution for 30 years by her family, until her death in 1943, despite numerous attempts by doctors to explain to her mother and brother that she was sane.

Fifty-three years into their relationship, Rodin married Rose Beuret. The wedding was 29 January 1917, and Beuret died two weeks later, on 16 February. Rodin was ill that year; in January, he suffered weakness from influenza, and on 16 November his physician announced that “congestion of the lungs has caused great weakness. The patient’s condition is grave.” Rodin died the next day, age 77, at his villa in Meudon, Île-de-France, on the outskirts of Paris.

A cast of The Thinker was placed next to his tomb in Meudon; it was Rodin’s wish that the figure served as his headstone and epitaph.

Gallery

 Rodin circa 1862.

 Auguste Rodin, John Singer Sargent, 1884

 

Head and shoulders of a young, dark haired woman looking downward.

Camille Claudel (1864–1943)

Rodin in his studio.

 

Life-sized nude stature of a male on a pedestal on display in a museum.

 The Age of Bronze(1877).

 M. Auguste Rodin – photo by Edward Steichen, ca. 1911

 

Nude man holding is hand out, as if explaining a point.

St. John the Baptist Preaching (1878).

 

Ornate, bronze door panels and frame showing figures and scenes in relief.

The Gates of Hell(unfinished), Kunsthaus Zürich

 

Rodin’s The Thinker(1879–1889) is among the most recognized works in all of sculpture.

 

See adjacent text.

The Burghers of Calais (1884–ca. 1889) in Victoria Tower Gardens, London, England.

 

Cast of Balzac (1891–1898) exposed in Jardin du Musée Rodin. The same statue is used for the monument in Paris

Rodin in mid-career

Rodin observing work on the monument to Victor Hugo at the studio of his assistant Henri Lebossé in 1896

The Monument to Balzac in Paris

 

Auguste Rodin, 1892 by Camille Claudel

 

A famous “fragment”: The Walking Man (1877-78)

 

The Shade, (1880-81) High Museum of Art, Atlanta

A plaster of The Age of Bronze

 

A portrait of Rodin by his friend Alphonse Legros

 

Éve, 1881-ca.1899 bronze, Jardin des Tuileries, Paris

 

Rodin in 1914

 

Rodin’s gravesite at the Musée Rodin de Meudon

 

The Kiss, 1889

Artist's signature is raised above the surface of a sculpture.

Rodin’s signature on The Thinker

The grounds of Musée Rodin

Rodin Museum, Philadelphia, Pennsylvania, USA

Mac Tag

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