Dear Zazie, Here is today’s Lovers’ Chronicle from Mac Tag dedicated to his muse. Follow us on twitter @cowboycoleridge. Do y’all feel the love? Rhett
The Lovers’ Chronicle
Dear Muse,
© copyright 2021 mac tag/cowboy coleridge all rights reserved
watchin’ a storm roll in
clouds spreadin’ out
across the big
High Plains sky
and the light just right
on nature’s grand canvas
that evenin’
the way you looked
as close to splendor
as i have ever seen
© copyright 2018 mac tag/cowboy coleridge all rights reserved
i ask myself
whether the endin’,
which i have foreseen,
might not, after all,
soon break upon me…
suddenly, there you are,
clearly against
the background
of deep shadows
holdin’ your robe
together with one hand
now what
“Take a deep breath
and let it out slowly.”
it has been a long time
“I know, me too.”
how long
“I don’t know.”
me neither
i can hardly remember
© copyright 2017 mac tag/cowboy Coleridge all rights reserved
i know this…
what we felt was real
what we had
what we were
what we knew…
yeah, we could feel it
sadly, i know this now…
without you,
i feel nothin’
© copyright 2016 mac tag/cowboy Coleridge all rights reserved
Today the song of the day is from an old friend of ours, Bret Mosley (bretmosley.com). He is a bluesy, soulful, bare foot-stompin’ singer/songwriter. His original tunes are built to last and his covers, or more accurately his uncovers, are unique. Here is his original tune; “What You Feel“. #feeltheloveyall
Paul Kane | |
---|---|
Self-portrait, circa 1845
|
|
Today is the birthday of Paul Kane (Mallow, county Cork September 3, 1810 – February 20, 1871 Toronto); painter, famous for his paintings of First Nations peoples in the Canadian West and other Native Americans in the Oregon Country. Kane secured the support of the Hudson’s Bay Company, and set out on a voyage from Toronto across the Rocky Mountains to Fort Vancouver and Fort Victoria in the Columbia District, as the Canadians called the Oregon Country. Kane sketched and painted Aboriginal peoples and documented their lives. Upon his return to Toronto, he produced more than one hundred oil paintings from these sketches. Kane’s work, particularly his field sketches, are still a valuable resource for ethnologists. The oil paintings he completed in his studio are considered a part of the Canadian heritage.
In 1853, Kane married Harriet Clench (1823–1892), the daughter of his former employer at Cobourg. Reportedly, she was a skilled painter and writer.
Gallery
Two field sketches | |
|
Mac Tag
No Comments on "The Lovers’ Chronicle 3 September – what we feel – music by Bret Mosley – art by Paul Kane"