Dear Zazie, Here is Mac Tag‘s Lovers’ Chronicle to his muse. Follow us on twitter @cowboycoleridge. Rhett
The Lovers’ Chronicle
Dear Muse,
© copyright 2021 mac tag/cowboy coleridge all rights reserved
© copyright 2020 mac tag/cowboy coleridge all rights resevered
© copyright 2019 mac tag/cowboy coleridge all rights reserved
you set me free
not sure where to start
or if i should
not sure you have read this far
well i am still tryin
tryin’ to find a way
to explain
what is not
and what is
if i could have known
if i could have shown
would it have mattered
had we but one last chance
secrets are there,
mostly
no need to hide
try to keep an open door,
widely swung
there can be no disguise
all foreknown,
self-revealed
nakedness
for you to find
© copyright 2018 mac tag/cowboy coleridge all rights reserved
you said my name
and set me free
you said my name
answerin’ my plea
not sure where to start
or if i should
not sure what is in my heart
or if i could
not sure you have read this far
well i am still tryin’
tryin’ to find a way
to say, to explain
what is not
and what is
missin’ you
if i could have known
if i could have shown
would it have mattered
missin’ you
had we but one last chance
had we but one last dance
missin’ you
© copyright 2017 mac tag/cowboy Coleridge all rights reserved
My cousin wrote the foundation of this one in prose. i adapted it in verse…
Watched The Sun Come up Today
I simply said “No, It is priceless…..”
Today is the birthday of Isobel Lilian Gloag (London 1 August 1865– 5 January 1917 London); painter, known for her oil and watercolour portraits, as well as posters and stained-glass designs.
Gloag was born the daughter of Scottish parents from Perthshire. Her early studies were made at St. John’s Wood Art School, and she later studied at the Slade School of Fine Art. Ill health compelled her to put aside plans for regular study, and she entered the studio of M.W. Ridley’s for private instruction, following this with work at the South Kensington Museum. After still further study with Raphaël Collin in Paris, she returned to London and soon had her work accepted at the Royal Academy of Arts, where she exhibited a total of 19 works. She was an elected member of the Royal Institute of Oil Paintersand the New Society of Painters in Water-Colours. Her earlier works were inspired by the Pre-Raphaelites, while later works were more modern, and her works have been cited as examples of post-Victorian Aestheticism. She made several designs for the stained-glass artist Mary Lowndes. Her work was posthumously featured in an exhibition at the Grafton Galleries, London.
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