The Lovers’ Chronicle 1 August – naked – art by Isobel Lilian Gloag

Dear Zazie,  Here is Mac Tag‘s Lovers’ Chronicle to his muse.  Follow us on twitter @cowboycoleridge.  Rhett

The Lovers’ Chronicle

Dear Muse,

not sure where to start
repressed for so long
tryin’ to find a way
to explain
what is not
and what is
knowin’
showin’
it matters
we have a chance
no need to hide
openin’ door,
widely swung
there can be no disguise
all foreknown,
self-revealed
nakedness
for you to find

© copyright 2021 mac tag/cowboy coleridge all rights reserved

life events have forged
resilience and perseverance
sweet anticipation
awaits in tomorrow
will the spark that exists
in verse and banter,
leap beyond the page
breathe easy
and trust your cape
shared vulnerabilities,
self-revealed nakedness,
await
for us to have and hold

© copyright 2020 mac tag/cowboy coleridge all rights resevered

dream certainty
simple, palpable
wonder swells
such depth
silence
mirrors
reflected
untold truths
in a sigh,
unbounded,
to this rare height,
flawed though i,
girted by the horizons
of grief filled eyes comes
a coruscation that breeds
indifference for anything ordinary

© copyright 2019 mac tag/cowboy coleridge all rights reserved

you set me free

not sure where to start
or if i should
not sure you have read this far

well i am still tryin

tryin’ to find a way
to explain
what is not
and what is

if i could have known
if i could have shown
would it have mattered

had we but one last chance

secrets are there,
mostly
no need to hide
try to keep an open door,
widely swung
there can be no disguise

all foreknown,
self-revealed
nakedness
for you to find

© copyright 2018 mac tag/cowboy coleridge all rights reserved

you said my name
and set me free
you said my name
answerin’ my plea

not sure where to start
or if i should
not sure what is in my heart
or if i could
not sure you have read this far
well i am still tryin’

tryin’ to find a way
to say, to explain
what is not
and what is

missin’ you

if i could have known
if i could have shown
would it have mattered

missin’ you

had we but one last chance
had we but one last dance

missin’ you

© copyright 2017 mac tag/cowboy Coleridge all rights reserved

My cousin wrote the foundation of this one in prose. i adapted it in verse…

Watched The Sun Come up Today

as I have done Every day Since
that night all those years ago…
I usually write to you on the day it happened
but this year I went to the ranch with a friend
I am sure she thought I was crazy
I just stood there lookin’ off into The River
She asked, had I ever crossed it on horseback
My simple yes, but what I saw…
Roy B crossin’, yakkin’ with Kenny; Munzie
and Abel and the Mexican Crew spread out;
Floyd on his big appaloosa with his boys,
Ferris & Bronc; Tom and his kids; Bill with
Paul and Jan; Ben and Edward over at The Pens
settin’ up; A Sea Of Hereford Cattle, pourin’
out of The Canadian River; and of course
The Red Blazer with Bud in it
And You on Flora Grande sweepin’ in
with a missin’ group of cattle…
She said, “This is A Million Dollar View.”….
I simply said “No, It is priceless…..”
© copyright 2016 mac tag/cowboy coleridge all rights reserved

Today is the birthday of Isobel Lilian Gloag (London 1 August 1865– 5 January 1917 London); painter, known for her oil and watercolour portraits, as well as posters and stained-glass designs.

Gloag was born the daughter of Scottish parents from Perthshire. Her early studies were made at St. John’s Wood Art School, and she later studied at the Slade School of Fine Art. Ill health compelled her to put aside plans for regular study, and she entered the studio of M.W. Ridley’s for private instruction, following this with work at the South Kensington Museum. After still further study with Raphaël Collin in Paris, she returned to London and soon had her work accepted at the Royal Academy of Arts, where she exhibited a total of 19 works. She was an elected member of the Royal Institute of Oil Paintersand the New Society of Painters in Water-Colours. Her earlier works were inspired by the Pre-Raphaelites, while later works were more modern, and her works have been cited as examples of post-Victorian Aestheticism. She made several designs for the stained-glass artist Mary Lowndes. Her work was posthumously featured in an exhibition at the Grafton Galleries, London.

Gallery 
The Kiss of the Enchantress (ca. 1890)
Four corners to my bed… (ca. 1901)
The Magic Mantle (1898)
Mac Tag
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