The Lovers’ Chronicle 10 June – hold on – art by Gustave Courbet – verse by Edwin Arnold

Dear Zazie,  Here is today’s Lovers’ Chronicle from Mac Tag.  Are you holdin’ on?  Rhett

The Lovers’ Chronicle

Dear Muse,

what moments
a future, darlin’,
means just one thing
we are not above it
tell me why it should be so
that only you can move me
once struggled for verse
now the words flow
anything goes
just a soi disant poet,
anyway, this i wrote
for you tonight,
you are everything still

© copyright 2021 mac tag/cowboy coleridge all rights reserved

Pale Love, Pale Rider

one for Jett…

a year to the day
since she went away
not a stretch to say
barley survived
but still standin’
no more killin’ time
now time for doin’
as should be done…

“But you must care.
You must hold on.”
i told you
never hold on
why hold on
but, dang
you were right

at least partly

the first time
i saw you
i knew…

two people
who believe
above all else

one must be,
to hold the other

once, in the arms,
tell me, tell me

© copyright 2018 mac tag/cowboy coleridge all rights reserved

restless
somethin’ callin’, pullin’…

“But you must care. You must.
You must hold on to something.”
never hold on
why hold on
everything held on to… fades

“The first time I saw you
I knew…”

everything would burn

two people who love
the dream above all else
will soon vanish together

one must be, to hold
the other one
and the pain in bein’;
that is what will be

once, in the arms,
pressed, feelin’, sayin’;
“Tell me. Tell me!”

a song of the sea
a sad day

© copyright 2016 mac tag all rights reserved

 

Today is the birthday of Jean Désiré Gustave Courbet (Ornans, Doubs ; 10 June 1819 – 31 December 1877 La Tour-de-Peilz, Switzerland); painter who led the Realist movement in 19th-century French painting.  Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists.  His independence set an example that was important to later artists, such as the Impressionists and the Cubists.  Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.  His paintings challenged convention by depicting peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects.  He also painted landscapes, seascapes, hunting scenes, nudes and still lifes.  He was imprisoned for six months in 1871 for his involvement with the Paris Commune, and lived in exile in Switzerland from 1873 until his death.

Gallery

Courbet c. 1860s (portrait by Étienne Carjat)

Courbet c. 1860s
(portrait by Étienne Carjat)

 

 L’homme à la pipe (Self-portrait, Man with a pipe), 1848–49, Musée Fabre, Montpellier

Les Demoiselles du bord de la Seine, 1856, Petit Palais, Paris

 The Wave (La Vague), 1869, oil on canvas, 66 x 90 cm, Musée des beaux-arts de Lyon

A Burial at Ornans, 1849–50, oil on canvas, 314 x 663 cm (123.6 x 261 inches), Musee d’Orsay, Paris. Exhibition at the 1850–1851 Paris Salon created an “explosive reaction” and brought Courbet instant fame.”

 The Artist’s Studio (L’Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life, 1855, 359 × 598 cm (141.33 × 235.43 in), oil on canvas, Musée d’Orsay, Paris

 Portrait of Jo (La belle Irlandaise), 1865–66, Metropolitan Museum of Art, a painting of Joanna Hiffernan, the probable model for L’Origine du monde and for Sleep

Nude Woman with a Dog (Femme nue au chien), c. 1861–62, oil on canvas, 65 x 81 cm Musée d’Orsay, Paris

 One of a series of still-life paintings Courbet made while in prison for his role in the Commune (1871). He was allowed an easel and paints, but he could not have models pose for him.

 The Trout, 1871

 Claude Monet, Le Déjeuner sur l’herbe (right section), with Gustave Courbet, 1865–66, Musée d’Orsay, Paris
EdwinArnoldToday is the birthday of Edwin Arnold (Gravesend, Gravesham, Kent, 10 June 1832 – 24 March 1904 London); poet and journalist, perhaps best known for his work The Light of Asia.

Sir Edwin was married three times. His first wife was Katherine Elizabeth Biddulph, of London, who died in 1864. Next he married Jennie Channing of Boston, who died in 1889. In his later years Arnold resided for some time in Japan, and his third wife, Tama Kurokawa, was Japanese.

We are the voices of the wandering wind,
Which moan for rest and rest can never find;
Lo! as the wind is, so is mortal life,
A moan, a sigh, a sob, a storm, a strife.

  • The Deva’s Song
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