Dear Z, Today’s Lovers’ Chronicle from Mac Tag to his muse. Rhett
The Lovers’ Chronicle
Dear Muse,
© copyright 2020 mac tag/cowboy coleridge all rights reserved
Pale Love, Pale Rider
the best me
i s’pose
at this point
tellin’ the truth,
whatever that is,
about myself
used to believe in deserve
just knew mine
was waitin’ for me
somewhere
had me some
blazin’ times
but i never
found anyone
that came close
reckon it does not
await everyone
© copyright 2018 mac tag/cowboy coleridge all rights reserved
do unto yourself
before you do unto others
never could git that right
what led to so many failures
deserve, deserve you say,
deserves got nuthin’ to do with it
© copyright 2016 Mac tag all rights reserved
not yours
but you were mine
and i do not quite know
how to live with that
© copyright 2016 Mac tag all rights reserved
Today is the birthday of Judith Malina (Kiel, Prussia, Germany; June 4, 1926 – April 10, 2015 Englewood, New Jersey); theater and film actress, writer and director. With her husband, Julian Beck, Malina co-founded The Living Theatre, a radical political theatre troupe that rose to prominence in New York City and Paris during the 1950s and 60s. The Living Theatre and its founders were the subject of the 1983 documentary Signals Through The Flames.
Malina appeared occasionally in films, beginning in 1975, when she played Al Pacino’s mother in Dog Day Afternoon. Using her for the role was Pacino’s idea, said its director, Sidney Lumet. Lumet recalls that tracking her down was difficult, as she had moved from New York to Vermont. “I had no idea of what to expect,” said Lumet. “I didn’t even know whether she’d want to do a ‘commercial’ film. Well, let me tell you, she is an actress. Totally professional. She also had no money and we had to pay her fare from Vermont, but she walked in and was perfect.”
She also appeared in Pacino’s Looking for Richard. Malina’s other roles in cinema include; Rose in Awakenings (1990) and Grandma Addams in The Addams Family (1991). She had major roles in Household Saints (1993) and the low-budget film, Nothing Really Happens (2003). She appeared in an episode of long-running TV series The Sopranos in 2006 as a nun, the secret mother of Paulie “Walnuts” Gualtieri. Malina is the subject of a 2012 documentary by Azad Jafarian titled Love and Politics. The film premiered at the 2012 Tribeca Film Festival. Malina also has a significant supporting role in the well-received film Enemies, A Love Story (1989), in which she acted alongside Lena Olin, Ron Silver and Anjelica Huston.
Malina met her long-time collaborator and husband, Julian Beck, in 1943, when she was 17 and he was a student at Yale University. Beck, originally a painter, came to share her interest in political theatre. In 1947 the couple founded The Living Theatre, which they directed together until Beck’s death in 1985.
Malina’s and Beck’s marriage was non-monogamous. The bisexual Beck had a long-term male partner, as did Malina. In 1988, following the death of Julian Beck in New York City, she married her long term partner Hanon Resnikov. They co-directed the Living Theatre’s activity in the Middle East, Europe and the United States of America, until Resnikov’s unexpected death in 2008.
Judith Malina died in Englewood, New Jersey, on April 10, 2015. She was survived by her two children by her marriage to Beck.
On this day in 1940, Carson McCullers’ novel The Heart Is a Lonely Hunter first appeared. She was 23 and the only thing she had published before was a short story. The novel, about a group of outcasts all drawn to the same deaf man, was a magnificent success. She wrote later: “For a whole year I worked on The Heart Is a Lonely Hunter without understanding it at all. Each character was talking to a central character, but why, I didn’t know. I’d almost decided that the book was no novel, that I should chop it up into short stories. But I could feel the mutilation in my body when I had that idea, and I was in despair. Suddenly it occurred me that Harry Minowitz, the character all the other characters were talking to, was a different man, a deaf mute, and immediately the name was changed to John Singer.
The whole focus of the novel was fixed and I was for the first time committed with my whole soul to The Heart Is a Lonely Hunter.”
The title comes from the poem “The Lonely Hunter” by the Scottish poet William Sharp, who used the pseudonym “Fiona MacLeod”.
Green wind from the green-gold branches, what is the song you bring?
What are all songs for me, now, who no more care to sing?
Deep in the heart of Summer, sweet is life to me still,
But my heart is a lonely hunter that hunts on a lonely hill.
Poem The Lonely Hunter.
And now on to today’s quotes.
I will be the very best me that I always want to be with you. – Sylvia Plath
If you do not tell the truth about yourself you cannot tell it about other people. – Virginia Woolf
I deserve that, don’t I, some sort of blazing love that I can live with. – Sylvia Plath
The first Plath quote says it all about love, right? To be with that someone who makes one want to be a better person. It brings to mind the line from the movie As Good as it Gets when Jack Nicholson‘s character tells Helen Hunt‘s character, “You make me want to be a better man.” You made me want to be a better me for you. Woolf’s quote goes to the heart of what I have been sayin’ about love; you have to love yourself, which includes bein’ honest with yourself, before you can love another. I like to think, at long last, that I know who I am. Not sure about the lovin’ part. Probably why I have had so many failed relationships. And I find Plath’s second quote rather poignant. Deserve? Well sure everyone deserves a blazin’ love they can live with. Is that not the highest form of human achievement; to find ones blazin’ love? Unfortunately as Clint Eastwood‘s character William Munny says in Unforgiven, “Deserves got nuthin’ to do with it.” I know I was not your blazin’ love. But you were mine. And I do not quite know how to live with that.
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